---
title: "Django Unchained: the reviews"
canonical: "https://film.one/film/django-unchained/reviews"
title_page: "https://film.one/film/django-unchained"
critics_score: 73
critics_reviews: 7
licence: "© Fi1m Ltd. Written by AI under a human editor; checked against sources before publication. Quote with attribution and a link to the canonical URL."
---

# Django Unchained (2012): what the critics said

Critics' score 73 from 7 reviews: 6 positive, 0 mixed, 1 negative.

Most critics like it, and the praise lands in the same places. The performances come first: Christoph Waltz’s bounty hunter is singled out again and again, with Leonardo DiCaprio and Samuel L. Jackson close behind. The dialogue, the set-pieces and the collision of spaghetti western and antebellum drama are widely enjoyed, and several reviews credit the film with taking slavery seriously while playing it as pulp. Nearly every review calls it entertaining before it calls it anything else.

The reservations cluster around length and pace. Several critics find it overstretched towards three hours, with a third act that sags and a cameo that misfires. Little White Lies enjoys it but finds little underneath the charisma. The one clear dissent is Sight and Sound, which finds the film slack without editor Sally Menke and thinks the cartoon violence stands in for any real confrontation with slavery. The spread is narrow otherwise: strong approval, with a shared grumble about running time.

## Little White Lies — Jonathan Crocker

Rating 4/4/4. 18 January 2013. 

A funny, violent, entertaining crowdpleaser buoyed by superb performances from Waltz, DiCaprio and Jackson in a battle of wits and words. Not a masterpiece, but one that supports its epic length through charisma and sharp dialogue despite lacking deeper substance.

[Read the review](https://lwlies.com/reviews/django-unchained)

## Radio Times — Alan Jones

Rating 4/5. 

A playfully audacious mix of spaghetti western, blaxploitation and revisionist history that delivers a wildly thrilling swagger through slavery's sides. Overindulgent in typical Tarantino fashion but redeemed by enthralling dialogue, twists, supporting cast and Morricone-style soundtrack.

[Read the review](https://www.radiotimes.com/movie-guide/b-g8v71z/django-unchained/)

## Sight and Sound — Nick Pinkerton

Fi1m's normalised score 30/100 (inferred from the text). 18 January 2013. 

The film lacks vitality and any vital engagement with history, stretched by loquacious monologues and lagging pace without editor Sally Menke. It prioritizes cartoonish violence and supercilious persona over meaningful confrontation with slavery's horrors.

[Read the review](https://www.bfi.org.uk/sight-and-sound/reviews/film-week-django-unchained)

## Empire — Dan Jolin

7 May 2012. Festival review. 

Tarantino delivers another strong, sparky and bloody entry in his canon with this Spaghetti Southern, but it creaks under its excessive running time and is not quite as entertaining as Inglourious Basterds.

[Read the review](https://www.empireonline.com/movies/reviews/django-unchained-review/)

## Evening Standard

16 May 2013. 

Tarantino is at his brilliant best in this must-see mash-up of antebellum drama and spaghetti western; it is appallingly enjoyable, vivid and entertaining with outstanding performances from Waltz, DiCaprio and Jackson.

[Read the review](https://www.standard.co.uk/culture/film/django-unchained-review-8457022.html)

## Los Angeles Times — Betsy Sharkey

23 December 2012. 

The critic calls the film Tarantino’s most articulate, intriguing, provoking, appalling, hilarious, exhilarating and entertaining yet, blending horrific history with grindhouse comedy without diminishing the brutality. She singles out the sharp cultural clashes and standout performances, especially Christoph Waltz’s sly delivery.

[Read the review](https://www.latimes.com/entertainment/movies/la-xpm-2012-dec-23-la-et-mn-django-unchained-review20121224-story.html)

## The Guardian — Philip French

20 January 2013. 

Tarantino delivers a brilliant revival of the spaghetti western that harnesses the genre to explore America's history of slavery and exploitation. The critic singles out Christoph Waltz's witty performance as lending lightness to an angry film, along with the strong performances and skilful storytelling.

[Read the review](https://www.theguardian.com/film/2013/jan/20/django-unchained-quentin-tarantino-review)

## The Hollywood Reporter — Todd McCarthy

11 December 2012. 

The critic praises the film's jokey, discursive, idiosyncratic and spirited approach to reframing American history and slavery through a revenge saga in the style of spaghetti Westerns, highlighting strong performances especially from Christoph Waltz, Leonardo DiCaprio, and Samuel L. Jackson along with its stimulating blend of comedy, action, and serious themes.

[Read the review](https://www.hollywoodreporter.com/movies/movie-reviews/django-unchained-film-review-399663/)

## The New York Times — A.O. Scott

Rating NYT Critic’s Pick. 24 December 2012. 

The critic finds the film crazily entertaining and brazenly irresponsible yet ethically serious, with moral disgust for slavery and sympathy for the underdog. He singles out the playful yet radical reimagining of history and genre alongside strong performances from Christoph Waltz and Jamie Foxx.

[Read the review](https://www.nytimes.com/2012/12/25/movies/quentin-tarantinos-django-unchained-stars-jamie-foxx.html)

## Total Film — Matt Glasby

18 December 2012. 

Tarantino pulls apart western genre iconography for a postmodern treat full of witty havoc, brilliant set-pieces like the Klan scene and vivid performances, though it feels overstretched toward three hours with a foolhardy cameo.

[Read the review](https://www.gamesradar.com/django-unchained-review/)

## Collider — Matt Goldberg

Rating A-. 24 December 2012. 

The film is a stylish, thoughtful, and violent Tarantino effort that reexamines American history and civility through its revenge narrative, even if it lacks the narrative tightness of his prior work. The standout is Christoph Waltz's warm and playful bounty hunter performance alongside sharp dialogue and irreverent comedy.

[Read the review](https://collider.com/django-unchained-review/)

## Den of Geek — Ryan Lambie

Rating 4/5. 17 December 2012. 

The critic praises the film's bold sketch of cruelty in 19th-century America and standout performances, especially Christoph Waltz's charismatic bounty hunter and Leonardo DiCaprio's raging monster, but notes it falls between stools as a pastiche-filled action film with some meandering parts after a tense dinner scene climax. Singles out the quiet visual storytelling of maids setting a table for evoking pathos amid the violence and verbosity.

[Read the review](https://www.denofgeek.com/movies/django-unchained-review-2/)

## HeyUGuys — Jon Lyus

Rating 4/5. 11 January 2013. 

The film is a brutal, satisfying tale of retribution and a blood-soaked morality play that retains Tarantino's trademark excitement and punch, though it is not his best work. The strong cast performances, particularly Samuel L. Jackson's, and the well-handled balance of reflective dialogue and visceral violence are singled out for praise.

[Read the review](https://www.heyuguys.com/django-unchained-review/)

## The Wrap — Alonso Duralde

Fi1m's normalised score 80/100 (inferred from the text). 17 December 2012. 

The critic finds it an intelligent thrill-ride with trashy pleasures despite some pacing issues in the third act. Singles out Leonardo DiCaprio's loose, funny, and despicable performance as the real revelation.

[Read the review](https://www.thewrap.com/django-unchained-review-blaxploitation-and-spaghetti-westerns-make-delicious-combo-69596/)

---
© Fi1m Ltd. Written by AI under a human editor; checked against sources before publication. Quote with attribution and a link to the canonical URL. Our review: https://film.one/film/django-unchained.md
