---
title: "In cinemas"
canonical: "https://film.one/films/in-cinemas"
region: "US"
total: 45
shown: 45
licence: "© Fi1m Ltd. Written by AI under a human editor; checked against sources before publication. Quote with attribution and a link to the canonical URL."
---

# In cinemas

What is showing where you are: released in the last ten weeks and not yet on a streaming service, each with our review.

For US. 45 titles; 45 listed here. Add `?region=XX` for another country.

- [*Digger*](https://film.one/film/digger.md) — 2026 · Fi1m 52 · R · 2h 09m · Comedy/Drama
  Tom Cruise, transformed into a bellowing Texas oilman, gives Iñárritu’s end-of-the-world farce a great deal of energy and one good speech. The sets are remarkable and Riz Ahmed is a pleasure; the satire itself shouts a single point for 129 minutes.
- [*NAZA*](https://film.one/film/naza.md) — 2026 · Fi1m 82 · NR · 1h 20m · Documentary
  Yuval Abraham and Rachel Szor put Israeli intelligence officers on a rooftop at night, hide their faces and let them explain how Gaza was targeted. It is journalism first and cinema second, and we found it as frightening as anything we have watched in years.
- [*Your Mother Your Mother Your Mother*](https://film.one/film/your-mother-your-mother-your-mother.md) — 2026 · Fi1m 77 · R · 1h 51m · Drama/Crime
  Bassam Tariq’s crime drama is worth seeing for Mahershala Ali’s tender, troubled father. The search for breast milk gives it an urgent purpose, though abrupt changes in tone and underwritten women keep it from working throughout.
- [*The Stunt Driver*](https://film.one/film/the-stunt-driver.md) — 2026 · Fi1m 66 · R · 1h 39m · Action/Comedy
  Michael Dowse’s film about the stuntman Ken Carter has a fine, frightened performance from Jay Baruchel and a real feel for its era. It is also slow where it should be tense, and funnier in memory than it was while we sat through it.
- [*The Incomer*](https://film.one/film/the-incomer.md) — 2026 · Fi1m 72 · R · 1h 42m · Comedy/Drama
  A likeable island comedy with three fine central performances and a weakness for laboured eccentricity. Louis Paxton gives loneliness and belonging some welcome attention, even when the jokes depend too heavily on the islanders being peculiar.
- [*Pulp: What Do You Do for an Encore?*](https://film.one/film/pulp-what-do-you-do-for-an-encore.md) — 2026 · Fi1m 65 · 1h 38m · Documentary/Music
  Garth Jennings’s film about Pulp is warm and funny whenever it looks backwards, and Jarvis Cocker is good company throughout. When it reaches the O2 stage, where it ought to come alive, the cameras stand too far back to catch what the band is doing.
- [*Ha-Chan, Shake Your Booty!*](https://film.one/film/ha-chan-shake-your-booty.md) — 2026 · Fi1m 74 · 2h 02m · Comedy/Drama
  Rinko Kikuchi makes this uneven ballroom romance worth the evening, giving its grief and surreal dance sequences a warmth the plotting cannot always sustain. The comedy wanders, but Haru remains someone we want to stay with.
- [*Without Blood*](https://film.one/film/without-blood.md) — 2025 · Fi1m 43 · 1h 31m · Drama
  Angelina Jolie’s *Without Blood* has two committed leads and an affecting opening, but its talk about violence grows vague and repetitive. Salma Hayek and Demián Bichir cannot make a thin conversation sustain a whole film.
- [*You Had to Be There: How the Toronto Godspell Ignited the Comedy Revolution...*](https://film.one/film/you-had-to-be-there-how-the-toronto-godspell-ignited-the-comedy-revolution.md) — 2026 · Fi1m 77 · NR · 1h 38m · Documentary/Comedy
  Nick Davis makes warm, funny company of the Toronto *Godspell* cast, using animation and surviving audio to compensate for missing footage. The friendships matter more than the famous names, though the film does not always seem convinced of that.
- [*Bad Apples*](https://film.one/film/bad-apples.md) — 2026 · Fi1m 67 · 1h 40m · Comedy/Thriller
  Jonatan Etzler’s black comedy about a teacher who locks a disruptive pupil in her house is sharp for an hour and increasingly strained after it. Saoirse Ronan holds the whole thing together with a performance of unnerving reasonableness.
- [*Shaun the Sheep: The Beast of Mossy Bottom*](https://film.one/film/shaun-the-sheep-the-beast-of-mossy-bottom.md) — 2026 · Fi1m 77 · PG · 1h 21m · Animation/Comedy
  Aardman’s third Shaun the Sheep feature drops the flock into an old monster film and gets steady laughs out of it for 81 minutes. It is a long episode of the television programme, which is no bad thing, and it is not more than that.
- [*The Weight*](https://film.one/film/the-weight.md) — 2026 · Fi1m 66 · R · 1h 52m · Drama/Thriller
  Padraic McKinley’s debut is a plain, wet, old-fashioned adventure about men carrying gold through a forest, and Ethan Hawke, saying almost nothing, holds it together. The script gives him too little company, and the ending gives him too easy a road.
- [*Resident Evil*](https://film.one/film/resident-evil.md) — 2026 · Fi1m 77 · R · 1h 30m · Horror/Science Fiction
  Zach Cregger starts again with one frightened man, one delivery and one long night. For an hour it is tight, funny and horrible; then it gets bigger and gets worse. Worth your evening if this is your genre.
- [*Practical Magic 2*](https://film.one/film/practical-magic-2.md) — 2026 · Fi1m 48 · PG-13 · 2h 10m · Romance/Fantasy
  Sandra Bullock and Nicole Kidman still make convincing sisters, but Susanne Bier’s sequel is a disappointment. A muddled, overlong story leaves their warmth doing most of the work.
- [*The Uprising*](https://film.one/film/the-uprising.md) — 2026 · Fi1m 62 · R · 2h 08m · Drama/Action
  Paul Greengrass’s historical drama has a persuasive lead in Andrew Garfield and a convincing medieval setting. Its relentless action is harder to recommend: the movement does too much of the storytelling.
- [*Hope*](https://film.one/film/hope.md) — 2026 · Fi1m 77 · R · 2h 37m · Science Fiction/Mystery
  Na Hong-jin’s creature feature has enough wit and well-staged pursuit to make its excesses worth enduring. We recommend it for the action, with fair warning that the creatures are less convincing than the chases.
- [*Oasis: Don't Look Back in Anger*](https://film.one/film/oasis-dont-look-back-in-anger.md) — 2026 · Fi1m 74 · R · 2h 03m · Documentary/Music
  The concerts are stirring and the Gallagher humour survives the reverence. This is good company for those who love the songs, though the fan tributes run long and the reconciliation gets little examination.
- [*Runner*](https://film.one/film/runner.md) — 2026 · Fi1m 56 · PG-13 · 1h 37m · Action/Comedy
  Alan Ritchson and Owen Wilson are good company, and the car stunts deliver. But Scott Waugh’s uneven action comedy struggles to make its jokes, violence and sentiment belong in the same film.
- [*The Girl in the River*](https://film.one/film/the-girl-in-the-river.md) — 2026 · Fi1m 31 · 1h 32m · Crime/Thriller
  Brando Benetton’s small-town mystery has a body in the river, a list of suspects and a script that explains each of them three times. Devon Sawa does careful, quiet work in a film that does not deserve him; the rest is waiting.
- [*Onslaught*](https://film.one/film/onslaught.md) — 2026 · Fi1m 58 · R · 1h 32m · Action/Horror
  Adam Wingard goes back to the small siege film he does well, with Adria Arjona holding the door. The style is sure and the score is a pleasure; the film keeps promising a rampage and delivers it in instalments.
- [*By Any Means*](https://film.one/film/by-any-means.md) — 2026 · Fi1m 52 · R · 1h 47m · History/Crime
  Elegance Bratton’s crime drama gives Yahya Abdul-Mateen II a compromised partnership worth exploring, then lets Mark Wahlberg’s excesses dominate it. The occasional jolt cannot compensate for thin characters and a reluctance to question the violence.
- [*Fall 2: Deadpoint*](https://film.one/film/fall-2-deadpoint.md) — 2026 · Fi1m 63 · PG-13 · 1h 38m · Thriller/Sport
  The climbing in *Fall 2: Deadpoint* can still make us flinch, but recycled conflict and thin dialogue keep getting in the way. There is enough here for height-thriller devotees, provided they forgive the interruptions.
- [*Just Play Dead*](https://film.one/film/just-play-dead.md) — 2026 · Fi1m 31 · R · 1h 37m · Thriller/Crime
  Martin Campbell reunites with Eva Green for a crime comedy that plays like something found at the back of a video shop in 1998. It looks expensive and moves briskly, and Samuel L. Jackson enjoys himself; nobody else does, us included.
- [*Idiots*](https://film.one/film/idiots.md) — 2026 · Fi1m 62 · R · 1h 40m · Comedy/Crime
  Macon Blair’s road comedy has two funny leads and one nasty idea about the teenager in their back seat. For an hour it is a treat. Then it plays the idea and never settles what kind of film it wants to be afterwards.
- [*Finding Emily*](https://film.one/film/finding-emily.md) — 2026 · Fi1m 70 · PG-13 · 1h 51m · Romance/Comedy
  Alicia MacDonald’s first feature is a warm, funny Manchester romcom with two likeable leads and a good ear for how students talk. It raises a proper question about its own hero, then decides the grand gesture is fine after all.
- [*Buddy*](https://film.one/film/buddy.md) — 2026 · Fi1m 67 · R · 1h 35m · Horror/Comedy
  Casper Kelly’s murderous-unicorn comedy has an affection for children’s television that makes its ugliness amusing. The setting and voice work deserve a tighter film, but there is enough invention here for the curious.
- [*Colony*](https://film.one/film/colony.md) — 2026 · Fi1m 62 · R · 2h 03m · Action/Horror
  Yeon Sang-ho’s *Colony* has unnerving infected bodies and a useful new problem: zombies that think together. The action earns attention, but thin characters and repeated explanations make this one for the already interested.
- [*Coyote vs. Acme*](https://film.one/film/coyote-vs-acme.md) — 2026 · Fi1m 78 · PG · 1h 43m · Comedy/Adventure
  Dave Green’s cartoon courtroom comedy is funny, affectionate and unexpectedly touching. The corporate satire settles for easy targets, but the friendship between a coyote and his lawyer gives the silliness someone to care about.
- [*The Dog Stars*](https://film.one/film/the-dog-stars.md) — 2026 · Fi1m 58 · R · 1h 59m · Science Fiction/Thriller
  Ridley Scott’s survival drama has warmth and some rewarding aerial photography, but its thin characters cannot sustain the leisurely pace. *The Dog Stars* is too uneven to recommend beyond those already drawn to quiet post-apocalyptic tales.
- [*It Ends*](https://film.one/film/it-ends.md) — 2026 · Fi1m 68 · R · 1h 29m · Horror/Mystery
  Alexander Ullom’s first film puts four friends on a road that does not end and gets an hour of real dread out of a car and some headlights. Then it keeps going, and dread thins into repetition. Worth an evening if you can forgive that.
- [*Spa Weekend*](https://film.one/film/spa-weekend.md) — 2026 · Fi1m 40 · R · 1h 37m · Comedy
  Leslie Mann, Michelle Buteau, Anna Faris and Isla Fisher provide scattered laughs in a comedy that gives them too little help. The wellness jokes are tired, the sentiment unconvincing, and the cast deserve better material.
- [*Insidious: Out of the Further*](https://film.one/film/insidious-out-of-the-further.md) — 2026 · Fi1m 55 · PG-13 · 1h 46m · Horror/Thriller
  Jacob Chase gets useful scares from sofa cushions and dental work, but *Insidious: Out of the Further* cannot keep its family story moving. Amelia Eve deserves more than another round of supernatural explanations.
- [*Mutiny*](https://film.one/film/mutiny.md) — 2026 · Fi1m 66 · R · 1h 35m · Action/Thriller
  Jason Statham makes the cramped fights in *Mutiny* worth the wait, but Jean-François Richet takes too long getting him to work. A serviceable action thriller, with little to sustain it between blows.
- [*The Magic Faraway Tree*](https://film.one/film/the-magic-faraway-tree.md) — 2026 · Fi1m 64 · PG · 1h 50m · Adventure/Family
  Simon Farnaby’s adaptation of Enid Blyton is bright, kind and often funny, with a cast who know exactly what sort of film they are in. It is also so determined that nothing should worry anyone that not much happens for long.
- [*The Brink of War*](https://film.one/film/the-brink-of-war.md) — 2026 · Fi1m 38 · PG · 1h 57m · Drama/History
  Michael Russell Gunn’s account of the Reykjavik summit has Jared Harris, some fine Icelandic weather and not much else. It explains the Cold War to us for 117 minutes and dramatises almost none of it, and we were bored well before the second day.
- [*Nimrods*](https://film.one/film/nimrods.md) — 2026 · Fi1m 67 · R · 1h 47m · Comedy/Music
  Lee Kirk’s coming-of-age comedy earns affection through its young cast and musical enthusiasm. Thin characters and broad jokes limit the pleasure, but there is enough warmth here for those who like their teenage rebellion amiable.
- [*American Doctor*](https://film.one/film/american-doctor.md) — 2026 · Fi1m 80 · 1h 31m · Documentary
  Poh Si Teng follows three American doctors into a Gaza hospital and does not look away; the wards are as hard to sit through as anything we have seen. The scenes at home, in front of cameras and microphones, are less sure of what they are for.
- [*The End of Oak Street*](https://film.one/film/the-end-of-oak-street.md) — 2026 · Fi1m 66 · PG-13 · 1h 40m · Science Fiction/Mystery
  David Robert Mitchell’s dinosaurs-in-suburbia picture is brisk, handsome and often frightening, and Anne Hathaway carries it. The family drama it keeps setting up is never played out, and the ending steps back from the darker film it had been promising.
- [*Tony*](https://film.one/film/tony.md) — 2026 · Fi1m 76 · R · 1h 46m · Drama/Comedy
  Dominic Sessa gives *Tony* its bite, playing a young Anthony Bourdain whose confidence exceeds his usefulness. Matt Johnson makes the kitchen work funny and affecting, though the familiar growing-up story leaves too little space for its women.
- [*Teenage Sex and Death at Camp Miasma*](https://film.one/film/teenage-sex-and-death-at-camp-miasma.md) — 2026 · Fi1m 80 · R · 1h 52m · Comedy/Horror
  Jane Schoenbrun’s queer horror romance is funny and unexpectedly tender, with Hannah Einbinder and Gillian Anderson making its obsession with films feel personal. The second half wanders, but the two leads keep us interested.
- [*One Night Only*](https://film.one/film/one-night-only.md) — 2026 · Fi1m 46 · R · 1h 43m · Romance/Comedy
  Monica Barbaro and Callum Turner make an appealing pair, but this timid romantic comedy cannot make its annual sex exemption funny enough to forget how grim it is. The chemistry deserves a less muddled film.
- [*Late Fame*](https://film.one/film/late-fame.md) — 2026 · Fi1m 78 · NR · 1h 37m · Drama
  Willem Dafoe gives this gentle drama about a rediscovered poet a warmth its younger characters do not always earn. We recommend it for the performances, with patience required for the mildness of its literary satire.
- [*Ice Cream Man*](https://film.one/film/ice-cream-man.md) — 2026 · Fi1m 34 · NR · 1h 26m · Horror/Comedy
  Eli Roth’s killer-kids horror has one idea, an ice cream van whose treats turn a suburb’s children on their parents, and spends 86 minutes repeating it. The practical gore is committed; the script and the jokes are not, and most critics are right about it.
- [*I Want Your Sex*](https://film.one/film/i-want-your-sex.md) — 2026 · Fi1m 73 · R · 1h 30m · Comedy
  Gregg Araki’s sex comedy is funny and well cast, with Olivia Wilde and Cooper Hoffman making its unequal romance worth following. The jokes about generational prudishness work better than the overcomplicated plotting.
- [*Spider-Man: Brand New Day*](https://film.one/film/spider-man-brand-new-day.md) — 2026 · Fi1m 72 · PG-13 · 2h 25m · Science Fiction/Action
  Cretton’s Spider-Man is the loneliest and most grown-up of Holland’s run, and for an hour it is the best of them. Then the guest stars and the green screen arrive, and the film gets longer and less interesting at the same time.

---
© Fi1m Ltd. Written by AI under a human editor; checked against sources before publication. Quote with attribution and a link to the canonical URL. Canonical: https://film.one/films/in-cinemas