---
title: "Streaming now"
canonical: "https://film.one/films/streaming"
region: "US"
total: 941
shown: 60
licence: "© Fi1m Ltd. Written by AI under a human editor; checked against sources before publication. Quote with attribution and a link to the canonical URL."
---

# Streaming now

Every film we have reviewed that is on a subscription service where you are, the service on each card. Pick a service to see just its films.

For US. 941 titles; 60 listed here. Add `?region=XX` for another country.

- [*PAW Patrol: The Dino Movie*](https://film.one/film/paw-patrol-the-dino-movie.md) — 2026 · Fi1m 43 · PG · 1h 28m · Animation/Adventure
  Cal Brunker’s family animation has some dinosaur diversion and treats Rex with care, but the thin writing and blunt lessons make it hard to recommend beyond households already devoted to the pups.
- [*Supergirl*](https://film.one/film/supergirl.md) — 2026 · Fi1m 56 · PG-13 · 1h 48m · Action/Adventure
  Milly Alcock is a sour, tired, believable Supergirl and the film around her cannot keep up. A simple revenge plot, a child, a dog and three editors, and the fights are still too dark to follow.
- [*Masters of the Universe*](https://film.one/film/masters-of-the-universe.md) — 2026 · Fi1m 58 · PG-13 · 2h 21m · Action/Fantasy · on Amazon Prime Video
  Travis Knight’s reboot is bright, cheerfully cast and has a Skeletor worth the ticket in Jared Leto. But the script cannot decide whether it is in on the joke or is the joke, and at 141 minutes the winking wears thin.
- [*Pressure*](https://film.one/film/pressure.md) — 2026 · Fi1m 78 · PG-13 · 1h 41m · Thriller/History · on Peacock
  Andrew Scott makes *Pressure* a tense, rewarding account of the weather decisions before D-Day. The drama is tightly handled and the acting persuasive, though the script makes its case for professional expertise a little too neatly.
- [*The Mandalorian and Grogu*](https://film.one/film/the-mandalorian-and-grogu.md) — 2026 · Fi1m 58 · PG-13 · 2h 12m · Action/Adventure · on Disney+
  Jon Favreau’s big-screen outing for the armoured bounty hunter and his green ward is pleasant, tidy and forgettable, a pair of good television episodes with the joins painted over. The puppet and Martin Scorsese’s street vendor are the reasons to stay.
- [*Obsession*](https://film.one/film/obsession.md) — 2026 · Fi1m 79 · R · 1h 49m · Horror/Thriller · on Peacock
  Curry Barker’s horror about a man who wishes a woman would love him, and gets her, is nasty, funny and properly frightening, and Inde Navarrette is the reason. It is not subtle, and one killing tips into cartoon. Horror fans should go.
- [*The Devil Wears Prada 2*](https://film.one/film/the-devil-wears-prada-2.md) — 2026 · Fi1m 64 · PG-13 · 1h 59m · Comedy/Drama · on Disney+, Hulu
  Twenty years on, the old team is back, dressed better than ever and given rather less to do. It is amiable, well acted and easy company for two hours, and it says nothing about the death of magazines that a magazine has not already said.
- [*Michael*](https://film.one/film/michael.md) — 2026 · Fi1m 47 · PG-13 · 2h 08m · Music/Drama · on Starz
  Jaafar Jackson moves like his uncle and the stage numbers are the real thing; around them, Antoine Fuqua has made an authorised biography that stops the moment the story gets difficult. Watch it for the dancing and expect to argue about the rest.
- [*Exit 8*](https://film.one/film/exit-8.md) — 2025 · Fi1m 72 · PG-13 · 1h 35m · Horror/Mystery · on AMC+
  Genki Kawamura turns a spot-the-difference video game into a white-tiled nightmare about a man who cannot decide anything, and for an hour it is quietly frightening. Then it sits down to explain itself, and the corridor loses its grip.
- [*The Christophers*](https://film.one/film/the-christophers.md) — 2026 · Fi1m 74 · R · 1h 40m · Crime/Comedy · on Hulu
  Soderbergh’s small comedy about a painter and the woman hired to paint like him is good whenever it is just McKellen and Coel in a room. The children are drawn in crayon and the scheme does not quite add up, but the room is worth an evening.
- [*The Drama*](https://film.one/film/the-drama.md) — 2026 · Fi1m 65 · R · 1h 45m · Romance/Comedy · on HBO Max
  Kristoffer Borgli’s wedding comedy has one scene that will make you want to walk out and two leads who make you stay. What follows is smaller and safer than the thing that set it off, and the film seems to know it.
- [*The Super Mario Galaxy Movie*](https://film.one/film/the-super-mario-galaxy-movie.md) — 2026 · Fi1m 38 · PG · 1h 38m · Family/Comedy · on Peacock
  The brothers go to space and the film goes with them at a sprint, never holding a shot long enough for a joke to land. Handsome to look at, tiring to sit through, and most critics have said so. Poor.
- [*Project Hail Mary*](https://film.one/film/project-hail-mary.md) — 2026 · Fi1m 73 · PG-13 · 2h 37m · Science Fiction/Adventure · on Amazon Prime Video
  Lord and Miller’s adaptation of Andy Weir’s novel is warm, clever and likeable, with Ryan Gosling at his most puzzled and a puppet co-star worth the ticket on its own. It is half an hour too long, and the flashbacks are to blame.
- [*The Bride!*](https://film.one/film/the-bride.md) — 2026 · Fi1m 57 · R · 2h 07m · Science Fiction/Horror · on HBO Max
  Maggie Gyllenhaal’s Frankenstein riff has a fearless lead performance from Jessie Buckley and no settled idea what to do with her. It is loud, handsome, thrilling in bursts, and rarely the same film for ten minutes together.
- [*Hoppers*](https://film.one/film/hoppers.md) — 2026 · Fi1m 76 · PG · 1h 44m · Adventure/Animation · on Disney+
  Pixar’s beaver body-swap is the studio’s funniest film in some years: quick, odd and unafraid of a nasty joke. The plot carries more than it needs and the last act loses its nerve, but the first hour is a pleasure.
- [*Scream 7*](https://film.one/film/scream-7.md) — 2026 · Fi1m 48 · R · 1h 54m · Horror/Mystery · on Paramount+
  Kevin Williamson directs his own script at last, Neve Campbell is back and on form, and the film around them is the least sharp the series has produced. Competent murders in the dark, suspects you will spot from the sofa. For the faithful, and only just.
- [*How to Make a Killing*](https://film.one/film/how-to-make-a-killing.md) — 2026 · Fi1m 55 · R · 1h 45m · Comedy/Thriller · on HBO Max
  John Patton Ford moves *Kind Hearts and Coronets* to modern New York and keeps the plot, the pace and the body count while losing the chill. Powell and Qualley make it a pleasant evening; a film about killing seven people should be more than pleasant.
- [*Crime 101*](https://film.one/film/crime-101.md) — 2026 · Fi1m 67 · R · 2h 21m · Crime/Thriller · on Amazon Prime Video
  Bart Layton’s Los Angeles heist film is handsomely built, patiently paced and cast far better than it needed to be. It has also watched *Heat* a great many times, and at 141 minutes we felt each viewing.
- [*My Father's Shadow*](https://film.one/film/my-fathers-shadow.md) — 2025 · Fi1m 81 · NR · 1h 33m · Drama · on MUBI
  Akinola Davies Jr.’s first film gives two boys a single day in Lagos with the father who has not been there, and it is patient, plain and finally moving. The middle drifts while everyone waits for news. The ending earns the wait.
- [*Send Help*](https://film.one/film/send-help.md) — 2026 · Fi1m 74 · R · 1h 53m · Horror/Thriller · on Hulu
  Sam Raimi strands a mousy employee and her boss on an island and lets her chair the meeting. Rachel McAdams is superb and the gore is cheerfully vile; the script has fewer ideas than she does. Worth your evening if you can stomach it.
- [*28 Years Later: The Bone Temple*](https://film.one/film/28-years-later-the-bone-temple.md) — 2026 · Fi1m 74 · R · 1h 49m · Horror/Thriller · on Netflix
  Ralph Fiennes, a tower of skulls and a Duran Duran record give Nia DaCosta’s sequel its best hour. Jack O’Connell’s cult of tracksuited Jimmys gives it its loudest and least interesting, and the film is only as good as whichever half is on screen.
- [*Dead Man's Wire*](https://film.one/film/dead-mans-wire.md) — 2026 · Fi1m 70 · R · 1h 46m · Crime/Drama · on Netflix
  Gus Van Sant’s account of the 1977 Kiritsis siege is a tight, sweaty, funny two-hander, and Bill Skarsgård is the reason to see it. What it thinks about the man and the country that made him, it mostly leaves to us.
- [*Song Sung Blue*](https://film.one/film/song-sung-blue.md) — 2025 · Fi1m 68 · PG-13 · 2h 13m · Music/Romance · on Netflix
  Craig Brewer’s true story of a Milwaukee couple and their Neil Diamond tribute act is warmer and sadder than its wigs suggest. Jackman and Hudson sing it honestly; the script keeps piling on misfortune until we found we had stopped feeling each blow.
- [*The Testament of Ann Lee*](https://film.one/film/the-testament-of-ann-lee.md) — 2025 · Fi1m 73 · R · 2h 17m · History/Drama · on Hulu
  Fastvold’s musical life of the Shaker founder is at its best when the congregation is singing and stamping, and Amanda Seyfried is remarkable throughout. Between the hymns it explains itself, at length, through a narrator who does not trust the pictures.
- [*No Other Choice*](https://film.one/film/no-other-choice.md) — 2025 · Fi1m 78 · R · 2h 19m · Comedy/Crime · on Hulu
  Park Chan-wook turns Westlake’s novel about a laid-off man killing his rivals for a job into a broad, exact black comedy, and Lee Byung-hun is superb in it. It runs long, it repeats itself, and the pictures carry it whenever the script does not.
- [*Avatar: Fire and Ash*](https://film.one/film/avatar-fire-and-ash.md) — 2025 · Fi1m 58 · PG-13 · 3h 18m · Science Fiction/Adventure · on Disney+
  Cameron’s third visit to Pandora is as beautifully built as the first two, and it goes somewhere new only in its scenery. Oona Chaplin’s Varang is a proper villain; the film around her repeats itself for well over three hours.
- [*The Housemaid*](https://film.one/film/the-housemaid.md) — 2025 · Fi1m 66 · R · 2h 11m · Mystery/Thriller · on Starz
  Paul Feig’s adaptation of the airport-novel hit is an hour of polite drift followed by an hour of proper trash, and Amanda Seyfried is the reason to sit through the first to reach the second. It is fun; it is also 131 minutes.
- [*Marty Supreme*](https://film.one/film/marty-supreme.md) — 2025 · Fi1m 82 · R · 2h 30m · Drama/Thriller · on HBO Max
  Josh Safdie’s table tennis film is loud, fast and built around Timothée Chalamet, who is up to it. It runs half an hour too long and loves its hustler more than we could, but the matches alone are worth the ticket.
- [*Is This Thing On?*](https://film.one/film/is-this-thing-on.md) — 2025 · Fi1m 71 · R · 2h 01m · Comedy/Drama · on Hulu
  Bradley Cooper’s third film as director is a small, kind and often funny account of a marriage coming apart and a man finding his voice at an open mic. Arnett and Dern are excellent; the script is softer than they are.
- [*The Voice of Hind Rajab*](https://film.one/film/the-voice-of-hind-rajab.md) — 2025 · Fi1m 81 · NR · 1h 29m · Drama/History
  The real voice of a child trapped in a car in Gaza runs through Kaouther Ben Hania’s drama. See it, though its first half hour is as hard to watch as anything we have seen, and the actors are less sure than she is.
- [*Zootopia 2*](https://film.one/film/zootopia-2.md) — 2025 · Fi1m 70 · PG · 1h 48m · Animation/Adventure · on Disney+
  Howard and Bush’s sequel is quick, dense and often funny, and Ke Huy Quan’s Gary De’Snake is Disney’s best new character in some time. The mystery around him is busier and less sure-footed than the first film’s.
- [*Wake Up Dead Man: A Knives Out Mystery*](https://film.one/film/wake-up-dead-man-a-knives-out-mystery.md) — 2025 · Fi1m 77 · PG-13 · 2h 25m · Thriller/Mystery · on Netflix
  Rian Johnson’s third Benoit Blanc mystery is colder and more serious than the last, and Josh O’Connor’s young priest gives it a heart. It is also 145 minutes long, and half a dozen good actors spend most of them waiting for a line.
- [*Hamnet*](https://film.one/film/hamnet.md) — 2025 · Fi1m 76 · PG-13 · 2h 05m · Drama/Romance · on Netflix
  Chloé Zhao’s adaptation of Maggie O’Farrell’s novel is a grief film first and a Shakespeare film a distant second, and Jessie Buckley carries it. The middle hour cries too much and too prettily; the last act, in London, earns most of what the rest asks for.
- [*H Is for Hawk*](https://film.one/film/h-is-for-hawk.md) — 2025 · Fi1m 64 · PG-13 · 2h 00m · Drama · on Amazon Prime Video
  Claire Foy and the bird are worth the evening, and Brendan Gleeson gets to us in about four scenes. Around them Philippa Lowthorpe has made a careful, tasteful film about grief that runs half an hour long and is too polite to hurt.
- [*The Secret Agent*](https://film.one/film/the-secret-agent.md) — 2025 · Fi1m 84 · R · 2h 41m · Thriller/Drama
  Kleber Mendonça Filho’s thriller about a hunted man in Recife in 1977 is funny, frightening and made with great care, and Wagner Moura holds it together by hardly moving. It is also long, and the present-day scenes are where you feel it.
- [*Rental Family*](https://film.one/film/rental-family.md) — 2025 · Fi1m 58 · PG-13 · 1h 50m · Comedy/Drama · on Hulu
  Hikari’s second feature takes a strange, real Tokyo trade and Brendan Fraser at his gentlest and makes something soft, well acted and pleasant that will not touch the hard questions its own premise keeps asking. Fraser and the young Shannon Mahina Gorman nearly carry it anyway.
- [*Wicked: For Good*](https://film.one/film/wicked-for-good.md) — 2025 · Fi1m 64 · PG · 2h 17m · Fantasy/Adventure · on Netflix
  Jon M. Chu’s second half of *Wicked* gives Cynthia Erivo and Ariana Grande the songs they deserve and a plot that keeps interrupting them. Handsomely dressed, over-long and dimmer than the first, it is worth the evening for the two of them.
- [*Now You See Me: Now You Don't*](https://film.one/film/now-you-see-me-now-you-dont.md) — 2025 · Fi1m 57 · PG-13 · 1h 52m · Crime/Thriller · on Starz
  Ruben Fleischer’s third Horsemen film is quick, glossy and busy, and Rosamund Pike is having a wonderful time as the villain. But it explains every illusion the moment it is over, and a trick you are told about afterwards has not fooled anyone.
- [*The Running Man*](https://film.one/film/the-running-man.md) — 2025 · Fi1m 60 · R · 2h 13m · Action/Thriller · on Amazon Prime Video, Paramount+
  Edgar Wright’s version of Stephen King’s novel is quick, handsome and well cast, and for an hour it is a good time. Then it starts repeating itself, the satire never gets under the skin, and the ending loses its nerve.
- [*Jay Kelly*](https://film.one/film/jay-kelly.md) — 2025 · Fi1m 64 · R · 2h 12m · Drama/Comedy · on Netflix
  Noah Baumbach has made a warm, handsome comedy about a film star who notices, late, what his fame has cost him. Adam Sandler is quietly wonderful and the memory sequences are the best idea in it; the film likes Jay Kelly rather more than it should.
- [*Sirāt*](https://film.one/film/sirat.md) — 2025 · Fi1m 83 · R · 1h 55m · Drama/Thriller
  Oliver Laxe sends a father and son looking for a missing daughter into a convoy of ravers and across the desert. It is loud, patient and frightening, and it earns nearly all of it; only a late surprise felt written rather than fated.
- [*Die My Love*](https://film.one/film/die-my-love.md) — 2025 · Fi1m 71 · R · 1h 59m · Drama · on MUBI
  Lynne Ramsay’s film about a new mother coming apart in a farmhouse is loud, fearless and often striking, and Jennifer Lawrence is as good as you have heard. But Ramsay keeps us outside Grace’s head, and the second hour repeats the first.
- [*Predator: Badlands*](https://film.one/film/predator-badlands.md) — 2025 · Fi1m 70 · PG-13 · 1h 47m · Action/Science Fiction · on Hulu
  Dan Trachtenberg turns the series’ monster into its underdog and pairs him with Elle Fanning’s talkative synthetic, and the odd couple carry it. It is likeable, well built and gentler than a Predator film has any business being.
- [*Sentimental Value*](https://film.one/film/sentimental-value.md) — 2025 · Fi1m 79 · R · 2h 13m · Drama/Comedy · on Hulu
  Joachim Trier’s family drama is patient, well acted and funny in the way real families are, and Skarsgård and Reinsve are as good as everyone says. We recommend it. We also found it neater than it needed to be.
- [*Springsteen: Deliver Me from Nowhere*](https://film.one/film/springsteen-deliver-me-from-nowhere.md) — 2025 · Fi1m 61 · PG-13 · 2h 00m · Drama/Music
  Scott Cooper shrinks the Springsteen story to one year and one cassette recorder, which is the right idea. Jeremy Allen White is quietly good and the recording scenes are the best thing here; the rest is a biopic being careful with a living man.
- [*Bugonia*](https://film.one/film/bugonia.md) — 2025 · Fi1m 72 · R · 1h 59m · Science Fiction/Thriller · on Netflix
  Lanthimos locks Emma Stone and Jesse Plemons in a cellar for two hours, and the result is tense, cruel and often funny. It also knows exactly what it thinks about the people upstairs and the people down there, and it tells us more than once.
- [*Black Phone 2*](https://film.one/film/black-phone-2.md) — 2025 · Fi1m 64 · R · 1h 54m · Horror/Thriller · on Netflix
  Scott Derrickson takes his dead killer out of the basement and into the snow, and the dream sequences, shot on grainy, skipping film, are the best thing in either picture. Around them sits a great deal of explaining, and a sermon we did not order.
- [*Frankenstein*](https://film.one/film/frankenstein.md) — 2025 · Fi1m 74 · R · 2h 30m · Drama/Fantasy · on Netflix
  Del Toro has plainly been planning this for years, and half of it is worth the wait. Jacob Elordi’s Creature is patient and sad and holds the picture together; Oscar Isaac’s Victor spends his half shouting at machinery.
- [*Battle Royale*](https://film.one/film/battle-royale.md) — 2000 · Fi1m 83 · R · 1h 53m · Drama/Thriller · on Tubi
  Kinji Fukasaku’s *Battle Royale* makes its teenage killing contest frightening by taking the teenagers seriously. The flashbacks labour the point, but the cruelty, foolishness and stubborn affection are hard to shake.
- [*TRON: Ares*](https://film.one/film/tron-ares.md) — 2025 · Fi1m 50 · PG-13 · 1h 59m · Science Fiction/Adventure · on Disney+
  Trent Reznor and Atticus Ross have written the best thing in Joachim Rønning’s third *Tron* film by some distance. Under it sits one good chase, a great deal of talk about what machines want, and Jared Leto not answering.
- [*After the Hunt*](https://film.one/film/after-the-hunt.md) — 2025 · Fi1m 57 · R · 2h 19m · Drama · on Amazon Prime Video
  Luca Guadagnino gives Julia Roberts her best role in years, as a philosophy professor who would rather not choose between an accused friend and an accusing student. The film shares her reluctance, and at 139 minutes it has a long time to be undecided in.
- [*A House of Dynamite*](https://film.one/film/a-house-of-dynamite.md) — 2025 · Fi1m 73 · R · 1h 52m · Thriller/Drama · on Netflix
  Kathryn Bigelow returns with a nuclear procedural that plays the same eighteen minutes three times over. The first pass is as frightening as anything she has made; by the third, the structure is costing her tension she cannot spare. Worth your evening, and you will not sleep well.
- [*The Smashing Machine*](https://film.one/film/the-smashing-machine.md) — 2025 · Fi1m 70 · R · 2h 03m · Drama/History · on HBO Max
  Benny Safdie’s portrait of the fighter Mark Kerr is quiet, careful and better acted than we had any right to expect, with Dwayne Johnson unrecognisable and good. It is also slower than it needs to be, and more ordinary than its manner lets on.
- [*One Battle After Another*](https://film.one/film/one-battle-after-another.md) — 2025 · Fi1m 87 · R · 2h 42m · Thriller/Crime · on Amazon Prime Video, HBO Max
  Paul Thomas Anderson turns Thomas Pynchon into a chase film, and it is the fastest, funniest thing he has made. It runs 162 minutes and earns most of them; the villains are cartoons.
- [*Demon Slayer: Kimetsu no Yaiba Infinity Castle*](https://film.one/film/demon-slayer-kimetsu-no-yaiba-infinity-castle.md) — 2025 · Fi1m 74 · R · 2h 36m · Animation/Action
  Haruo Sotozaki delivers inventive animated combat and gives the demons enough history to make their suffering matter. We recommend it to series followers, with a warning that repeated flashbacks make an already long film feel longer.
- [*Downton Abbey: The Grand Finale*](https://film.one/film/downton-abbey-the-grand-finale.md) — 2025 · Fi1m 61 · PG · 2h 03m · Drama/Romance · on Netflix
  Simon Curtis and Julian Fellowes close the doors on the Crawleys with good manners, beautiful clothes and a dozen small stories that each end in a reconciliation. It is comfortable and it is thin, and Michelle Dockery carries what weight there is.
- [*The Long Walk*](https://film.one/film/the-long-walk.md) — 2025 · Fi1m 72 · R · 1h 48m · Science Fiction/Thriller · on HBO Max
  Francis Lawrence’s adaptation of Stephen King’s death march is grim, honest about what it shows, and carried by Cooper Hoffman and David Jonsson. It has a single idea and walks it for 108 minutes; the idea holds longer than we expected, though not all the way.
- [*The Conjuring: Last Rites*](https://film.one/film/the-conjuring-last-rites.md) — 2025 · Fi1m 55 · R · 2h 16m · Horror · on HBO Max
  Wilson and Farmiga are as good as they have ever been, and the first hour has two frights worth the ticket. Then the Smurls are left to their ghost while the Warrens attend to their feelings, and 136 minutes is a long time to say goodbye.
- [*Caught Stealing*](https://film.one/film/caught-stealing.md) — 2025 · Fi1m 68 · R · 1h 47m · Crime/Thriller · on Netflix
  Aronofsky’s lightest film in years is a fast, dirty, frequently funny chase round a 1998 New York that looks lived in rather than dressed. Austin Butler makes a likeable punchbag. It is good company for 107 minutes and gone by morning.
- [*The Thursday Murder Club*](https://film.one/film/the-thursday-murder-club.md) — 2025 · Fi1m 57 · PG-13 · 1h 58m · Comedy/Mystery · on Netflix
  Chris Columbus gives Richard Osman’s retirees a cast most directors would wait a career for and then forgets to make the murder matter. Mirren, Brosnan, Kingsley and Imrie are excellent company; the mystery they are solving is not.

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© Fi1m Ltd. Written by AI under a human editor; checked against sources before publication. Quote with attribution and a link to the canonical URL. Canonical: https://film.one/films/streaming