---
name: "Alexander Gruszynski"
canonical: "https://film.one/person/alexander-gruszynski"
fi1m_id: "alexander-gruszynski"
imdb_id: "nm0344738"
tmdb_id: 33651
wikidata_id: "Q1772301"
roles: ["Cinematographer"]
born: "19 June 1950"
reviewed_on_fi1m: 1
average_over: 1
updated: "2026-10-23T04:10:32.850633+00:00"
licence: "© Fi1m Ltd. Written by AI under a human editor; checked against sources before publication. Quote with attribution and a link to the canonical URL."
---

# Alexander Gruszynski

## Identity

Alexander Gruszynski

- **Canonical:** https://film.one/person/alexander-gruszynski
- **Type:** Person
- **Fi1m ID:** alexander-gruszynski
- **IMDb ID:** nm0344738
- **TMDB ID:** 33651
- **Wikidata ID:** Q1772301
- **Same entity:** https://en.wikipedia.org/wiki/Alexander_Gruszynski, https://www.wikidata.org/wiki/Q1772301, https://www.imdb.com/name/nm0344738/, https://www.themoviedb.org/person/33651

Cinematographer. Born 19 June 1950 in Warsaw, Poland.

## Details

- **Work:** Cinematographer
- **Born:** 19 June 1950, Warsaw, Poland
- **Active:** 1990–2014
- **Frequently works with:** [Andrew Fleming](https://film.one/person/andrew-fleming.md)
- **Elsewhere:** https://en.wikipedia.org/wiki/Alexander_Gruszynski, https://www.wikidata.org/wiki/Q1772301, https://www.imdb.com/name/nm0344738/, https://www.themoviedb.org/person/33651

## Streaming the US now

- **Peacock:** [*Tremors*](https://film.one/film/tremors.md) (82)

For United States; add `?region=XX` for another country.

## Biography

Alexander Gruszynski is a Polish-American cinematographer. Born on 19 June 1950 in Warsaw, Poland, he trained at the National Film School of Denmark in Copenhagen. He worked on Danish films and documentaries in the 1970s and early 1980s before moving to the United States in 1985.

Gruszynski is a member of the American Society of Cinematographers. His credits include *Tremors* (1990), *The Craft* (1996), *The Pagemaster* (1994), *54* (1998), *Dick* (1999) and episodes of *Emily in Paris* (2020). He has collaborated frequently with director Andrew Fleming. He won a Bodil Award for cinematography on *Jenny* (1977) and received nominations for an Independent Spirit Award and ASC awards.

*Sources: en.wikipedia.org, encyclopedia.com.*

## On Fi1m (1)

- *Tremors* (1990), Fi1m 82, Director of Photography, Cinematography — [page](https://film.one/film/tremors.md)

## Complete filmography (65)

Every credit, newest first. Titles without a page can be requested for review on the HTML page.

- *Bad Vibrations* (2020), Actor
- *Emily in Paris* (2020), series, Director of Photography
- *I'll Find You* (2019), Director of Photography
- *Ideal Home* (2018), Director of Photography
- *Teapot* (2016), Producer, Director
- *Tripolar* (2016), Director, Producer
- *Déjà vu* (2015), Cinematography
- *The Single Moms Club* (2014), Director of Photography
- *Barefoot* (2014), Director of Photography
- *A Madea Christmas* (2013), Director of Photography
- *Peeples* (2013), Director of Photography
- *Temptation: Confessions of a Marriage Counselor* (2013), Director of Photography
- *Madea's Witness Protection* (2012), Director of Photography
- *Good Deeds* (2012), Director of Photography
- *For Colored Girls* (2010), Director of Photography
- *Lost in Africa* (2010), Director of Photography
- *I Can Do Bad All By Myself* (2009), Director of Photography
- *Madea Goes to Jail* (2009), Director of Photography
- *Wallander: The Revenge* (2009), Director of Photography
- *Hamlet 2* (2008), Director of Photography
- *This Christmas* (2007), Director of Photography
- *Nancy Drew* (2007), Director of Photography
- *Five Fingers* (2006), Director of Photography
- *Black Dawn* (2006), Director
- *Wallander* (2005), series, Director of Photography
- *The In-Laws* (2003), Director of Photography
- *Deliver Us from Eva* (2003), Director of Photography
- *Two Can Play That Game* (2001), Director of Photography
- *Prison Song* (2001), Director of Photography
- *Dick* (1999), Director of Photography
- *54* (1998), Director of Photography
- *Maximum Risk* (1996), Director of Photography
- *Haiti. Untitled* (1996), Director of Photography
- *The Craft* (1996), Director of Photography
- *Angus* (1995), Director of Photography
- *Kingfish: A Story of Huey P. Long* (1995), Director of Photography
- *The Pagemaster* (1994), Director of Photography
- *I Like It Like That* (1994), Director of Photography
- *Threesome* (1994), Director of Photography
- *Tom Petty and the Heartbreakers: Take the Highway Live* (1992), Camera Operator
- *Cast a Deadly Spell* (1991), Director of Photography
- *Stone Cold* (1991), Director of Photography
- *By Dawn's Early Light* (1990), Director of Photography
- *Tremors* (1990), Director of Photography — Fi1m 82, [page](https://film.one/film/tremors.md)
- *Third Degree Burn* (1989), Director of Photography
- *The Women of Brewster Place* (1989), Director of Photography
- *The Women of Brewster Place* (1989), series, Director of Photography
- *Bad Dreams* (1988), Director of Photography
- *Time Out* (1988), Director of Photography
- *Promised Land* (1988), Director of Photography
- *Under Cover* (1987), Director of Photography
- *The Last Innocent Man* (1987), Director of Photography
- *A Fight for Jenny* (1986), Director of Photography
- *Ophelia Comes to Town* (1985), Director of Photography, Camera Operator
- *Murder: By Reason of Insanity* (1985), Cinematography
- *Twisted* (1985), Director of Photography
- *Almost You* (1985), Director of Photography
- *Surviving* (1985), Director of Photography
- *Phoenix Bird* (1984), Director of Photography
- *Interference* (1983), Cinematography
- *Your Neighbour's Son* (1981), Cinematography
- *Belladonna* (1981), Photoscience Manager, Director of Photography
- *Next Stop - Paradise* (1980), Director of Photography
- *Thomas - A Child Out of Reach* (1980), Camera Operator
- *Jenny* (1977), Director of Photography

---
© Fi1m Ltd. Written by AI under a human editor; checked against sources before publication. Quote with attribution and a link to the canonical URL. Canonical: https://film.one/person/alexander-gruszynski
