---
name: "Sergio Canevari"
canonical: "https://film.one/person/sergio-canevari"
fi1m_id: "sergio-canevari"
imdb_id: "nm0133917"
tmdb_id: 44986
roles: ["Production designer"]
reviewed_on_fi1m: 1
average_over: 1
updated: "2026-09-17T21:33:30.466871+00:00"
licence: "© Fi1m Ltd. Written by AI under a human editor; checked against sources before publication. Quote with attribution and a link to the canonical URL."
---

# Sergio Canevari

## Identity

Sergio Canevari

- **Canonical:** https://film.one/person/sergio-canevari
- **Type:** Person
- **Fi1m ID:** sergio-canevari
- **IMDb ID:** nm0133917
- **TMDB ID:** 44986
- **Same entity:** https://www.imdb.com/name/nm0133917/, https://www.themoviedb.org/person/44986

Production designer.

## Details

- **Work:** Production designer
- **Elsewhere:** https://www.imdb.com/name/nm0133917/, https://www.themoviedb.org/person/44986

## Streaming the US now

- **HBO Max:** [*The Battle of Algiers*](https://film.one/film/the-battle-of-algiers.md) (93)

For United States; add `?region=XX` for another country.

## Biography

Sergio Canevari is an Italian production designer, art director and set decorator. He worked in Italian cinema from the early 1960s into the 1990s.

His credits include production design on *The Battle of Algiers* (1966), *A Quiet Place in the Country* (1968), *A Bay of Blood* (1971) and *Burn!* (1969). He also contributed set decoration to *Divorce Italian Style* (1961) and *Salvatore Giuliano* (1962), and worked on films such as *Hands Over the City* (1963), *We Still Kill the Old Way* (1967) and *The Day of the Owl* (1968).

*Sources: imdb.com, criterion.com, svenskfilmdatabas.se.*

## On Fi1m (1)

- *The Battle of Algiers* (1966), Fi1m 93, Set Decoration, Production Design, Production design — [page](https://film.one/film/the-battle-of-algiers.md)

## Complete filmography (35)

Every credit, newest first. Titles without a page can be requested for review on the HTML page.

- *The Flesh* (1991), Production Design
- *Tides of War* (1990), Production Design
- *Top Line* (1988), as Art Direction
- *If All Goes Well We Are Ruined* (1983), Production Design
- *Acapulco, Last Beach... on the Left* (1983), Production Design
- *Damned in Venice* (1978), as Art Direction
- *The Black Corsair* (1976), Production Design
- *Littlefoot the Policeman* (1974), Production Design
- *Noa Noa* (1974), as Art Direction
- *Giordano Bruno* (1973), Production Design, Set Decoration
- *Life Is Tough, Eh Providence?* (1972), Production Design
- *Fiorina the Cow* (1972), Costume Design, Production Design
- *Cause of Divorce* (1972), Production Design
- *A Bay of Blood* (1971), Production Design, Art Direction, Additional Writing
- *Burn!* (1969), Production Design
- *A Quiet Place in the Country* (1968), Production Design, Art Direction
- *Sardinia Kidnapped* (1968), Production Design
- *The Day of the Owl* (1968), Production Design
- *Death Laid an Egg* (1968), Production Design
- *We Still Kill the Old Way* (1967), Production Design
- *A Bullet for the General* (1967), Production Design, Set Designer
- *The Battle of Algiers* (1966), Production Design, Set Decoration — Fi1m 93, [page](https://film.one/film/the-battle-of-algiers.md)
- *Massacre Time* (1966), Production Design
- *The Camp Followers* (1965), as Art Direction · Set Designer
- *Controsesso* (1964), Production Design
- *Oh! Those Most Secret Agents* (1964), Production Design, Special Effects, Set Decoration
- *Two Escape from Sing Sing* (1964), Special Effects
- *Clouds* (1964), Production Design
- *Hands Over the City* (1963), Production Design
- *The Swindlers* (1963), Production Design
- *A Face in the Rain* (1963), Production Design
- *The Changing of the Guard* (1962), Production Design
- *Salvatore Giuliano* (1962), Production Design
- *Divorce Italian Style* (1961), as Set Decoration
- *The Brigand* (1961), Production Design

---
© Fi1m Ltd. Written by AI under a human editor; checked against sources before publication. Quote with attribution and a link to the canonical URL. Canonical: https://film.one/person/sergio-canevari
