Critics’ reviews

Aileen: Life and Death of a Serial Killer (2003)

7 reviews from 7 publications. Critics’ score 59: 2 positive, 3 mixed, 2 negative.

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59
Positive
2
Mixed
3
Negative
2

The reviews are mixed, with praise clustering around the disturbing interviews with Aileen Wuornos and the documentary’s scrutiny of the institutions surrounding her. Critics who respond favourably find the encounters chilling and sad, and value Broomfield’s attention to her troubled background, the media frenzy and the judicial system. Even some less persuaded reviews acknowledge the force of the interviews. The strongest shared response is to the unsettling material rather than agreement about how Broomfield handles it.

The spread is wide, and Broomfield’s methods are the main point of division. Slant Magazine sees the confused tone as appropriate to an account of truth distorted by media and justice. Variety finds the documentary less focused and cogent than its predecessor, despite the striking interviews. The AV Club raises a sharper ethical objection, finding the approach exploitative and the search for truth half-hearted. Reservations concern both clarity and the treatment of Wuornos.

Slant Magazine
5 January 2004 · ★★★½/4 · Ed Gonzalez
88

Gonzalez finds the documentary’s confused tone appropriate to its slippery account of truth. He praises Broomfield’s understanding of how truth is distorted by media and the judicial system.

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Empire
1 January 2000 · Kim Newman
70*

Newman finds the documentary chilling, sobering and sad. He particularly praises its unsettling jail interviews and its account of Wuornos being deemed fit for execution.

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The New York Times
9 January 2004
64*

The page content is inaccessible, so the critic’s verdict and specific praise or complaint cannot be determined. The URL identifies a film review of the requested documentary.

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Time Out
· TCh
64*

The page identifies this as a review of the documentary, but the review text is unavailable. Its metadata singles out Broomfield’s focus on Wuornos’s inadequate defense and the media frenzy around her case.

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The Guardian
21 November 2003 · Peter Bradshaw
60*

Bradshaw finds the film powerful, though its deadpan style weakens its force as an anti-death-penalty polemic. He singles out its disturbing portrait of Wuornos’s troubled background and the execution system.

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Variety
6 June 2003 · festival review · Ronnie Scheib
35*

Scheib finds the documentary less focused and cogent than its predecessor, likely suited to a cable niche. The interviews with Aileen stand out, particularly her claims that radio waves control her mind.

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The AV Club
5 January 2004 · Nathan Rabin
30*

Rabin finds the documentary’s familiar joke still effective, but says it leaves a bitter aftertaste. He faults Broomfield’s exploitative approach and half-hearted search for the truth.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate