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Perry and Croft’s holiday-camp sitcom is as broad as its yellow blazers and warmer than it has any need to be. The pool gag comes round every episode; so, more surprisingly, does a real sadness about people paid to have fun.
David Yates strips the longest book in the series to 138 brisk, grey minutes and hands Imelda Staunton the best villain the films have had. It is the most grown-up Potter yet and, for long stretches, the least magical.
Gervais and Merchant’s first film is a warm, well-acted coming-of-age story set in 1970s Reading, with a fine, quiet Ralph Fiennes. It is also a story you have seen before, told exactly as you expect, and it seems to know it.
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802026 · Drama
It was the flop that nearly sank a studio, the film George Lucas would rather you forgot, the punchline of a thousand jokes about the eighties. It is also a strange, funny, entirely sincere piece of work that has outlived every film that beat it that summer. The first in an occasional series about films the notices got wrong.
Some films you remember with your ears. A guide to the ones where the music is not accompanying the picture but carrying it, from Bernard Herrmann's strings to a Vangelis synth to a mixtape a director spent his budget on.
Ten films in thirty years, every one of them talking. A guide to where to start, where to linger, and which one to leave for a wet afternoon you don't mind losing.
The shelf is enormous and most of it is not worth your evening. Here is what is, drawn from our reviews of what the service is showing this month. Catalogues differ by country; every title's page shows yours.
Twenty-seven years after a mob boss first sat down in a psychiatrist's waiting room, nothing on television has caught it. A guide for those who never got round to it, and for those who did and want to go back.