Critics’ reviews

All About My Mother (1999)

10 reviews from 10 publications. Critics’ score 79: 8 positive, 1 mixed, 1 negative.

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79
Positive
8
Mixed
1
Negative
1

Most critics respond warmly to All About My Mother, praising its compassion towards grief and its ability to keep absurdist humour alive within an emotionally forceful melodrama. The performances draw consistent approval, with Roth and Cruz singled out for praise, while the film’s unconventional bonds of kinship also win support. Several reviews admire how Almodóvar brings complicated lives and themes together without treating his characters callously or making their suffering sentimental.

The spread is wide, though the reservations are less widely shared than the praise. Variety admires the ensemble, particularly Antonia San Juan’s comic contribution, but finds that the glossy visuals sometimes distract from emotional realism. Eye for Film suggests that the unusual characters can be difficult to relate to. The New Yorker offers the clearest dissent: it enjoys the women’s teasing and solidarity but finds the seriousness unconvincing, arguing that the sadness weakens the film’s theatrical energy.

Radio Times
★★★★★ · David Parkinson
100

Parkinson calls the film an inspired, mature and moving comedy-drama. He praises its allusions to All About Eve and A Streetcar Named Desire.

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RogerEbert.com
31 December 1999 · ★★★★/4 · Roger Ebert
100

Ebert gives the film a strongly positive verdict. He praises its compassionate treatment of grief and its vivid performances.

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Slant Magazine
30 January 2020 · ★★★★½ · Jake Cole
90

Cole praises the film as tender, empathetic, and thematically complex. He singles out the Blu-ray’s vivid color rendering and strong image clarity.

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The Guardian
17 December 2006 · Philip French
90*

French calls the film a masterpiece and praises Almodóvar’s deft interweaving of its plots and themes. He also singles out its handling of grief, AIDS, Alzheimer’s and sex-change operations without callousness or sentimentality.

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Empire
1 January 2000 · Kim Newman
88*

Newman gives the film a warmly enthusiastic verdict, praising its emotional force without losing its absurdist humour. He singles out the performances, especially those of Roth and Cruz.

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Variety
16 April 1999 · festival review · Jonathan Holland
78*

Holland finds the film emotionally satisfying and brilliantly performed, while noting that its melodrama is balanced by wit and empathy. He praises the ensemble, especially Antonia San Juan’s comic relief, but says the glossy visuals sometimes distract from emotional realism.

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The New York Times
24 September 1999 · festival review · Stephen Holden
75*

The critic gives the film a positive assessment. The review singles out the strange, unconventional bonds of kinship for praise.

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Time Out
· GA
65*

The page is labeled a film review, but its article text is unavailable. The critic’s verdict and any specific praise or complaint cannot be determined.

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The New Yorker
14 November 1999 · David Denby
35*

Denby finds the film an unconvincing turn toward seriousness, saying it feels perfunctory and lacks spirit. He praises the live-wire teasing and solidarity among the women, while regretting that the film’s sadness dims its theatrical energy.

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Eye for Film
19 January 2001 · Angus Wolfe Murray
70*

The critic finds the film emotionally intense, expertly directed and playfully naughty, though its unusual characters may be difficult to relate to. He praises how their genuine problems and complicated lives put Manuela’s grief into perspective.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate