Critics’ reviews

American Wedding (2003)

12 reviews from 12 publications. Critics’ score 56: 2 positive, 8 mixed, 2 negative.

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56
Positive
2
Mixed
8
Negative
2

The consensus is mixed, with praise clustering around the cast and individual comic scenes rather than the wedding story. The more receptive reviews find that the familiar combination of raunch and sentiment still produces laughs, helped by affable performances and farcical set pieces. Eugene Levy earns praise for his warmth and reliable comic timing, while Seann William Scott’s Stifler is a more divisive source of amusement: some welcome his antics, others find that he crowds out the remaining characters.

The spread is wide despite the concentration of mixed verdicts. Variety sees the move towards grown-up characters as a strength and finds this a funnier finish to the series. Empire finds the jokes stale and the gross-out material dispiriting, though it welcomes the wedding’s sweetness. Between those positions, reservations centre on fading shock value, uneven writing and sentiment that struggles to sit comfortably beside the cruder gags.

Variety
3 August 2003 · Robert Koehler
80*

Koehler finds this a strong, funnier finish to the franchise, with its shift toward grown-up characters paying off. He especially praises the farcical set pieces and Fred Willard’s comic performance.

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The AV Club
5 August 2003 · Nathan Rabin
65*

Rabin finds the comedy ramshackle but generally effective, with the series’ familiar mix of raunch and sentiment still working. He praises its affable cast and comic energy, while noting that its shock gags feel less shocking than they once did.

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RogerEbert.com
1 August 2003 · Roger Ebert
64*

The review page was blocked, so its verdict could not be verified. No specific praise or complaint is available from the accessible page.

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Screen Daily
31 July 2003 · John Hazelton
64*

The page identifies this as a review, but the review text is inaccessible. Its verdict and any specific praise or complaint cannot be determined.

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The New York Times
1 August 2003
64*

The page is blocked, so the critic’s verdict cannot be determined. The available information does not reveal what the review praises or criticizes.

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Time Out
· WI
64*

The available description says the film repeats the series’ established mix of sexual humiliation, scatology and sentimentality. The full review is unavailable, so its overall verdict and specific praise or complaint cannot be established.

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Total Film
15 September 2003 · ★★★ · Total Film
60

The review finds the film an uneven but entertaining comedy, with enough laughs to make it a decent snack. It praises Eugene Levy’s reliably funny performance as Jim’s Dad, while faulting Stifler’s overemphasis and the sidelining of other characters.

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Slant Magazine
30 July 2003 · ★★/4 · Nick Schager
50

Schager finds the sequel creatively depleted, with juvenile gross-out humor overpowering its gestures toward wholesome sentiment. He credits Stifler’s antics with providing sporadic laughs, but says the rest of the wedding is mundane and stale.

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The Guardian
15 August 2003 · Peter Bradshaw
25*

Bradshaw finds the film largely unfunny and its crude humor dull, despite some amiable energy. He singles out Stifler’s attempt to impress Cadence as one bright scene.

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Empire
1 January 2000 · Angie Errigo
10*

Errigo finds the film stale and gross-out humor dispiriting, though the wedding itself is unexpectedly sweet. She particularly objects to the dog-poop gag and says the script lacks fresh jokes.

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Eye for Film
13 August 2003 · Angus Wolfe Murray
75*

The critic finds the third installment more sophisticated and broadly entertaining than expected. Seann William Scott’s comedic performance as Stifler is singled out for praise.

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HeyUGuys
7 May 2012 · ★★½ · Dave Roper
50

The critic finds American Wedding marginally better than the second film but well below the original. Eugene Levy’s warmth is praised, while Stifler’s implausible character shifts and the bachelor-party sequence are criticized.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate