Critics’ reviews

An Affair to Remember (1957)

7 reviews from 7 publications. Critics’ score 71: 4 positive, 3 mixed, 0 negative.

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71
Positive
4
Mixed
3
Negative
0

Most critics respond warmly to An Affair to Remember, with praise centred on Cary Grant and Deborah Kerr’s performances and the romance’s balance of wit and sentiment. The favourable reviews find the pair’s restrained comic chemistry persuasive, allowing the tender moments to land without losing the sophisticated humour. McCarey’s light touch also earns approval, particularly for the way comedy gives way to melodrama.

The spread is fairly wide, though none of the reviews is wholly negative: pacing, sentimentality and the later story account for most reservations. Judgements of the filmmaking differ, with Slant Magazine praising expressive widescreen imagery while The AV Club finds the direction dated and utilitarian. Empire questions both leads’ dramatic effectiveness but still responds to the finale’s romance; The New Yorker is less forgiving, admiring the tender, funny shipboard courtship before finding the later developments increasingly ridiculous and sanitised.

The AV Club
23 January 2008 · A · Donna Bowman
95

Bowman finds the romance successful despite its dated, utilitarian filmmaking and a third act that spins its wheels. She praises the leads’ performances and the gripping final scene.

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Variety
31 December 1956 · Variety Staff
85*

The review calls the film a winning, funny, tenderly sentimental romance. It praises Cary Grant and Deborah Kerr’s sparkling performances and restrained comic chemistry.

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Radio Times
★★★★ · Sue Heal
80

The review is positive about this frothy romantic comedy. It praises Cary Grant and Deborah Kerr’s performances and the film’s sophisticated comic style.

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Slant Magazine
21 January 2008 · ★★★½ · Fernando F. Croce
70

Croce regards the film as an emotionally powerful, dreamlike romance. He singles out McCarey’s graceful blend of comedy and melodrama, along with the film’s expressive widescreen imagery.

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Empire
25 August 2006 · Ian Nathan
58*

Nathan finds the film an effective, if slight and sentimental, melodrama whose romance still has a certain skill. He praises the finale’s hopeless romance, while faulting Cary Grant’s lack of tragic force and Deborah Kerr’s songs and limited emotional expression.

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The New Yorker
45*

The critic finds the film’s shipboard romance tender and funny, but sees the later story as increasingly ridiculous and sanitized. They single out the sweetly staged first kiss for praise and the final line as an all-time howler.

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Collider
2 March 2011 · Andre Dellamorte
65*

The critic finds the film a familiar, occasionally sagging romance, but says McCarey’s light touch makes it worthwhile. He especially praises Cary Grant’s emotionally precise performance in the final scene.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate