Critics’ reviews

Audition (2000)

7 reviews from 7 publications. Critics’ score 85: 6 positive, 1 mixed, 0 negative.

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85
Positive
6
Mixed
1
Negative
0

Most critics are strongly positive about Audition, with praise clustering around its patient build-up of unease and the psychological weight behind its horror. The reviews repeatedly describe a film whose disturbing effects depend on more than shock: sexual politics, male arrogance and gender conflict give the violence something to examine. Eihi Shiina’s chilling performance draws particular praise from Empire, while other reviews emphasise the sharp wit and the gradual accumulation of tension.

The differences concern pacing and interpretation more than basic approval. Variety admires the visual craft and temporal editing but notes that the deliberate pace delays the scares, and finds ambiguity in the treatment of possessive love and misogyny. Elsewhere, that patience is largely counted as a strength. The apparent spread needs some caution: the accessible Screen Daily review does not disclose a verdict, so it cannot establish a clear dissent from the favourable consensus.

The Guardian
10 December 2015 · ★★★★★ · Peter Bradshaw
100

Bradshaw calls the film a stomach-turning masterpiece and a landmark of J-horror. He singles out its vengeful female antagonist and its critique of male arrogance for praise.

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Empire
1 January 2000 · Kim Newman
90*

Newman praises the film as a disturbing, memorable horror story that builds from apparent romance into a nightmare. He singles out Eihi Shiina’s chilling performance and the slow accumulation of tension.

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Slant Magazine
18 February 2019 · ★★★★½ · Chuck Bowen
90

Bowen regards the film as a profound, psychologically rich horror work, not merely a shock artifact. He praises Arrow’s vivid restoration and the film’s patient handling of gender conflict and violence.

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Time Out
15 March 2012
80*

The description presents the film as an absorbing, sly psychodrama. It praises its sharp wit and provocative take on sexual politics.

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Variety
31 October 1999 · festival review · Ken Eisner
75*

Eisner presents the film as a shocking, beautifully made horror story, though its deliberate pacing delays the scares. He praises the haunting visual beauty and temporal editing, while noting the film’s ambiguity about possessive love and misogyny.

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Screen Daily
23 February 2000 · Edna Fainaru
64*

The accessible page does not reveal the critic’s verdict. It also provides no praise or complaint to identify.

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The Skinny
29 February 2016 · ★★★★★ · Rachel Ashenden
100

Ashenden praises the film’s slow-building unease and disturbing finale, calling it both shocking and haunting. She also singles out Arrow’s much-needed 2K restoration and extensive extras.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate