Most critics like it, and the praise clusters almost entirely in one place: the animation. Nearly every review calls the hand-drawn work fluid and handsome and singles out the action sequences as the best-staged thing in the film. Several also welcome the novelty of seeing the characters older, and a few credit the film with taking Aang’s grief for his lost people seriously. Six of the ten reviews are positive and none is negative, and the fans it was made for are, by most accounts, well served.
The reservations cluster just as neatly on the story. The mixed reviews call it serviceable at best, rushed and inconsequential, doing little to move the characters or the world forward and offering thin footing to anyone who does not know the series. The spread is fairly wide. Polygon is the outlier at the top, calling it the worthy follow-up fans have waited for; IndieWire is the outlier at the bottom, finding it emotionally inert beneath the pretty surfaces.
