
Most critics find Chaos Walking a disappointing adaptation, with a promising science-fiction premise reduced to a muddled, familiar young-adult adventure. Praise clusters around Tom Holland and Daisy Ridley: their charisma and chemistry make the central relationship more engaging than the thin characterisation might suggest. Several reviews also find worthwhile ideas in the audible-thoughts concept, particularly its potential to explore male rage, desire and control, though few think these receive enough attention.
The sharpest disagreement concerns the Noise itself, which some find inventive and others confusing, repetitive or an obstacle to storytelling. The AV Club sees it as an engine for a bumpy but engaging adventure, while Polygon finds enough pleasure in the leads and Doug Liman’s energetic direction to forgive the jumbled story. Those warmer responses sit apart from a largely mixed-to-negative consensus, with recurring complaints about uncertain tone, weak stakes and underdeveloped themes.
A
The AV Club
4 March 2021 · B- · A.A. Dowd
70
Dowd finds the adventure bumpy but says its clever sci-fi premise gives it an inventive engine. The review especially praises the Noise concept and the leads’ likable chemistry.
Read the full review →S
Screen Daily
3 March 2021 · Tim Grierson
64*
Screen identifies this as a review of Doug Liman’s film, but the accessible page does not reveal the critic’s verdict. The paywalled text also prevents identifying what the critic singles out for praise or complaint.
Read the full review →N
The New York Times
4 March 2021
64*
The page could not be read, so its verdict and specific praise or criticism cannot be confirmed. The URL indicates a review of the named film.
Read the full review →T
Time Out
10 June 2021 · Eurico de Barros
64*
The page identifies this as a review, but its article text is unavailable. No critical verdict or specific praise or complaint can be established from the supplied content.
Read the full review →I
IndieWire
3 March 2021 · C- · David Ehrlich
50
Ehrlich finds the adaptation dull and compromised, flattening its unusual premise into a generic YA action film. He singles out the horseback sequence, with the characters’ Noise trailing behind them, as a glimpse of the genre-mashing film it might have been.
Read the full review →L
Los Angeles Times
3 March 2021 · Kevin Crust
50*
Crust finds the film watchable and engaging in places, but neither a disaster nor the exciting franchise launch it might have been. He praises the inventive Noise concept while criticizing how its cacophony overwhelms the storytelling and diminishes subtext.
Read the full review →S
Slant Magazine
3 March 2021 · ★★/4 · William Repass
50
Repass finds the film entertaining on the surface but a mess of contradictions that fails to realize its premise. He praises its depiction of thought as a tool of control, while faulting it for reducing its most imaginative ideas to set dressing and leaving colonialism underdeveloped.
Read the full review →i
The i Paper
1 April 2021 · Francesca Steele
50*
Steele finds the film tonally confused but credits it with engaging ideas about male rage and desire. She praises the leads’ charisma while criticizing the ill-timed jokes and the film’s failure to give its themes sufficient weight.
Read the full review →R
Radio Times
★★ · Kevin Harley
40
Harley finds the adaptation ambitious but misconceived, with an elusive tonal footing. He says its themes of male violence resonate, despite the film’s difficulty grounding them.
Read the full review →E
Empire
17 March 2021 · John Nugent
30*
The critic finds the film a disappointing, clichéd trudge that squanders its promising premise. They praise the efforts of Holland, Ridley, and especially Mikkelsen, whose performance makes his character compelling despite the material.
Read the full review →V
Variety
3 March 2021 · Peter Debruge
30*
Debruge finds the film’s high-concept premise quickly tiresome and its characters and confrontations generic. He praises Tom Holland for making Todd’s awkwardness endearing, but says the Noise needlessly spells out what an actor can convey silently.
Read the full review →V
Vulture
5 March 2021 · Bilge Ebiri
30*
Ebiri finds the film a muddled, generic sci-fi adventure that fails to make its premise pay off. He praises the touching idea of Todd repeating his name to manage his thoughts, but says the film does too little with it.
Read the full review →G
The Guardian
30 March 2021 · Benjamin Lee
25*
Lee finds the film a watchable but misjudged and largely drab failure, with little chance of continuing as a franchise. He particularly criticizes the confusing visual effects for the characters’ thoughts and the script’s lack of characterization.
Read the full review →H
The Hollywood Reporter
3 March 2021 · David Rooney
20*
Rooney finds the film a dour, uninvolving sci-fi adventure that fails to make its characters or stakes compelling. He particularly criticizes its tiresome premise and simplistic gender politics.
Read the full review →P
Polygon
3 March 2021 · Jesse Hassenger
70*
The critic finds the troubled adaptation likable and entertaining despite its jumbled story and abrupt ending. Holland and Ridley’s charisma and Liman’s energetic direction are singled out as pleasures.
Read the full review →The page content is blocked, so the critic’s verdict cannot be determined. No praise or complaint can be verified from the available text.
Read the full review →E
Eye for Film
2 April 2021 · Amber Wilkinson
60*
Wilkinson finds it a watchable but flawed adventure aimed chiefly at younger viewers. She praises the chemistry and energy of Tom Holland and Daisy Ridley, while faulting the under-explored ideas and perfunctory supporting elements.
Read the full review →P
Paste
5 March 2021 · 5.8/10 · Andy Crump
58
Crump finds the film flimsy, rushed, and broadly drawn, despite its promising premise. He praises Tom Holland’s comic portrayal of Todd’s thoughts, while criticizing the weak stakes and action sequences.
Read the full review →D
Den of Geek
4 March 2021 · ★★ · Don Kaye
40
The critic finds the film dull, poorly written, and unable to make its premise work. He singles out the confusing, distracting presentation of the Noise as a major flaw.
Read the full review →/
/Film
4 March 2021 · 4/10 · Hoai-Tran Bui
40
The critic finds the film a joyless, uninspired retread of YA dystopian stories. The inventive visual effects for the characters’ “Noise” are the film’s most striking feature.
Read the full review →The critic finds the film a dreary, messy plod that struggles to sustain mystery. They single out the grating, constant audible-thoughts concept as especially irritating.
Read the full review →The critic finds the adaptation a tedious, underdeveloped misfire that fails to make its ideas or world compelling. They praise the natural chemistry between Tom Holland and Daisy Ridley, whose quiet moments suggest a spark the film never develops.
Read the full review →The critic finds the film unengaging, with a thin story that wastes its talented cast. David Oyelowo’s scenery-chewing performance offers a welcome respite.
Read the full review →Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate