Critics’ reviews

Charlie's Angels: Full Throttle (2003)

10 reviews from 10 publications. Critics’ score 44: 2 positive, 3 mixed, 5 negative.

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44
Positive
2
Mixed
3
Negative
5

The reviews lean negative on Charlie’s Angels: Full Throttle, though praise clusters around the leads’ chemistry and the action’s energy. Supporters enjoy the playful sisterhood of Diaz, Barrymore and Liu, while even some detractors find individual performances watchable. The more favourable accounts treat its pop-video visuals and energetic stunts as sufficient entertainment, with little expectation of substance beneath them.

The spread is wide: Variety considers it a crowd-pleasing improvement on the original, praising action that other reviews find frantic or difficult to follow. Reservations centre on thin material, repetitive comedy and spectacle that cannot disguise the lack of invention; The AV Club particularly objects to the juvenile humour and editing. There is also disagreement over the supporting turns: Slant Magazine finds some compensation in Crispin Glover’s return, while complaints elsewhere about irritating or embarrassing cameos suggest that the film’s playfulness is far from universally enjoyed.

Variety
22 June 2003 · Amy Dawes
90*

Dawes calls the sequel a joyous, crowd-pleasing improvement on the original. She especially praises its fresh, cohesive action and the playful sisterhood at its heart.

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Time Out
· AHa
70*

The review is positive about the film’s exuberant entertainment. It singles out the dynamic ensemble of Diaz, Barrymore and Liu as its main strength.

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Screen Daily
27 June 2003 · John Hazelton
64*

The page identifies this as a review, but its text is behind a paywall. The critic’s verdict and any specific praise or complaint are not visible.

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The New York Times
27 June 2003 · A. O. Scott
64*

The page is inaccessible, so the critic’s verdict cannot be verified. The headline points to strained family ties, but the review’s specific praise or complaint is unavailable.

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Slant Magazine
25 June 2003 · ★/4 · Ed Gonzalez
25

Gonzalez finds the sequel soulless and overblown, a poor imitation of the original’s formula. He singles out Crispin Glover’s return as the Thin Man as the film’s one mitigating factor.

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The AV Club
30 June 2003 · Keith Phipps
25*

Phipps finds the film shallow, repetitive, and more interested in seeming fun than being funny. He particularly criticizes its juvenile butt-pun sequence and frantic, hard-to-follow editing.

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Radio Times
★ · Sloan Freer
20

Freer judges the sequel even more vapid than its predecessor. She criticizes its flashy effects, irritating cameos and tedious skits for failing to disguise the poor material.

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Empire
1 January 2000 · William Thomas
15*

Thomas gives the sequel a strongly negative verdict, calling its direction and execution awful. He praises Liu and Diaz as watchable, while criticizing the inconsistent tone and sexism.

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The Guardian
6 July 2003 · Philip French
10*

French condemns the film as an example of Hollywood’s lack of imagination and finds its frantic style deeply irritating. He singles out John Cleese’s cameo as especially embarrassing.

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Eye for Film
3 July 2003 · Angus Wolfe Murray
60*

The critic finds the film a mindless but well-pitched romp, with more fizz than flavour. They praise its pop-video-influenced visuals and energetic stunts.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate