Critics’ reviews

Earth Girls Are Easy (1988)

8 reviews from 8 publications. Critics’ score 70: 4 positive, 4 mixed, 0 negative.

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70
Positive
4
Mixed
4
Negative
0

The reviews lean favourable to mixed, with praise clustering around the film’s bright colours, kitsch science-fiction trappings and breezy comedy. Geena Davis’s comic performance draws particular approval, while Radio Times also singles out Julie Brown and the sharp one-liners. The aliens’ adjustment to Los Angeles culture supplies another source of amusement. Even some qualified responses find the film lively and watchable, with its visual style earning more consistent approval than its material.

Reservations centre on thin writing and uneven execution. Empire points to dud jokes and poorly mixed songs, while The AV Club’s otherwise enthusiastic response finds the closing stretch sloppy and random. Time Out questions how well the silliness captures Valley Girl life. The spread runs from affectionate enthusiasm to qualified enjoyment, with no outright negative verdicts in the supplied ratings, though two reviews lack accessible text to establish their reasoning.

The AV Club
15 October 2008 · Nathan Rabin
85*

Rabin calls the film a kitschy, inspired trifle and a guilty pleasure worth rediscovering. He especially praises Geena Davis’s comic performance, while noting that the film becomes sloppy and random toward the end.

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Radio Times
★★★★ · Alan Jones
80

Jones calls it an enormously entertaining, breezy musical comedy. He praises Geena Davis and Julie Brown, along with its bitchy one-liners and frothy fantasy.

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Time Out
· CM
70*

The review presents the film as a zany musical, though its tone is crass, silly and tacky. It suggests the film struggles to depict the complexities of being a Valley Girl.

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Variety
31 December 1987 · Variety Staff
70*

The review presents the film as a lively, glitzy fish-out-of-water farce. It singles out the hot-pastel design and the aliens’ comic adaptation to Los Angeles culture.

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Empire
1 January 2000 · Kim Newman
65*

Newman finds the comedy hit-and-miss but the film vibrant and watchable. He praises its colourful Valley setting and kitsch sci-fi trappings, while noting dud jokes and poorly mixed songs.

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Los Angeles Times
12 May 1989 · MICHAEL WILMINGTON
65*

Wilmington finds the film’s material thin but ultimately praises Julien Temple’s dazzling visual style. He singles out the “ ‘Cause I’m a Blonde” sequence as an especially inventive high point.

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RogerEbert.com
64*

The page could not be read, so the critic’s verdict is unavailable. No praised or criticized element can be verified from the supplied page.

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The New York Times
12 May 1989 · Janet Maslin
64*

The page identifies a review of the matching film, but its critical verdict cannot be verified from the blocked text. The review’s specific praise or complaint is likewise unavailable.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate