The reviews lean towards disappointment, though several critics find End of Days entertaining enough as an action film. Praise clusters around Gabriel Byrne’s lively, menacing Satan, whose presence gives even some detractors something to enjoy. The action earns more qualified approval: individual sequences provide excitement, and the more receptive reviews accept the familiar thrills without finding much to distinguish the film from its predecessors.
The divide is between critics who find the silliness tolerable and those who think the borrowed ideas and muddled religious plotting spoil the entertainment. Schwarzenegger’s performance splits opinion directly: Variety welcomes his vulnerability, while Radio Times finds him unconvincing. The harsher reviews describe a solemn, overblown film whose spectacle cannot make the story persuasive or its characters engaging. The spread is substantial, then, but the favourable end amounts to qualified enjoyment rather than strong enthusiasm; the disagreement is chiefly over how much the action compensates for the weaknesses.
