Fast & Furious 6 (2013)

Foundas praises the film as superior classical action craftsmanship that should satisfy fans and newcomers alike. He especially singles out the elaborate, clearly staged vehicle stunts and their attention to spatial geography.

The review calls it dumb fun, essentially a colorful, physics-defying continuation of its predecessor. It praises the ensemble cast and the way the action gives each gang member a role.

Sharkey finds the film an entertaining, self-aware action ride, even if it overdoes the fights and explosions. She praises its ambitious action sequences and highlights the fast shifts between spectacle and soap-opera emotion.

Edelstein finds the sequel highly entertaining despite slack dialogue, with Lin handling its many climaxes deftly. He particularly praises the driving, which he calls a thing of beauty.

Bradshaw finds the film silly but enjoyable, with the franchise still having plenty of energy. He singles out Michelle Rodriguez’s fight scenes and outrageous dialogue as highlights.

Williams finds the film ridiculous but undeniably entertaining, and a step above the other sequels. He praises its late-arriving freeway action while faulting the weak villain and disappointing London sequences.

McCarthy finds the film silly and increasingly ridiculous, but says it delivers the action its audience expects. He praises the cast’s easy familiarity and the return of Michelle Rodriguez, while faulting the chases for rapid cuts and obscured views.

The critic finds the film’s banter slow but the overall experience enjoyable. The outlandish action set pieces are singled out as its saving grace.

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Mottram finds the film delivers exhilarating action despite shortcomings in its script. He praises the escalating, jaw-dropping set pieces, while criticizing the soapier storylines and the underused female characters.

The critic enjoys the film’s energy but finds that it overstays its welcome. Diesel and Rodriguez’s screen chemistry is singled out for praise, while the excessive length and unnecessary surprise ending draw criticism.

Bazley finds the film’s chase, stunt and joke formula entertaining for fans but repetitive and forced. He singles out Gina Carano’s screen presence for praise, while criticizing the screenplay’s recycled dialogue and weak plot.

Collins finds franchise fatigue setting in, though the film remains technically proficient. He singles out the inventive, witty daylight tank chase as a highlight.

Adams finds the sixth entry overcooked and predictable. He singles out the excitement Londoners may feel seeing their city on screen.

Cabin finds the film smug and narratively bloated, with its dramatic filler dulling the franchise’s thrills. He praises the London chase and airplane climax for their energy and technical craft.

The critic gives the film an enthusiastic verdict, calling it a thrilling standout in the franchise. He particularly praises Justin Lin’s ambitious, practical stunt-action sequences.

The critic finds the film hugely entertaining despite its implausible plot and dated gender politics. The escalating action sequences, especially the cargo-plane finale, earn particular praise.

The critic calls it a wildly enjoyable, exhilarating ride that surpasses its predecessors. They single out Justin Lin’s expertly staged action, while noting an overlong finale and stale dialogue.

The critic finds the film exhilarating, ridiculous fun and says it surpasses Fast Five in scale and excitement. They praise the satisfying emotional links to earlier films and the relentless, varied action, while noting its absurdity and assumption that viewers know the franchise.

The critic calls it the series’ high point, praising its knowingly ridiculous tone and gleeful spectacle. He singles out the enjoyable group dynamics and ambitious practical effects and stunt work.

Wilkinson finds the film silly but entertaining, with action that largely delivers. She praises the imaginative car stunts and energetic chases, while noting the thin scripting and character development.