The reviews lean towards a mixed response to Flightplan, with praise clustering around its claustrophobic opening and Jodie Foster’s performance. The more favourable accounts find an entertaining thriller in its patient build-up, in-flight anxiety and resourceful, vulnerable heroine. Foster gives the suspense a firm centre for several critics, while the confined setting and uneasy encounters with cabin staff draw praise for making an ordinary flight feel threatening.
The main reservation is plausibility: even sympathetic reviews question how well the plot holds together once its explanations arrive. Some also find that the shift towards action dissipates the earlier tension, though the available verdicts range from tense entertainment to flat contrivance. Slant Magazine admires Foster’s force but finds her intensity increasingly grating. The AV Club offers the strongest dissent, crediting the central twist’s ingenuity while arguing that it relies on an improbable chain of events.
