Critics’ reviews

Flightplan (2005)

9 reviews from 9 publications. Critics’ score 58: 3 positive, 5 mixed, 1 negative.

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58
Positive
3
Mixed
5
Negative
1

The reviews lean towards a mixed response to Flightplan, with praise clustering around its claustrophobic opening and Jodie Foster’s performance. The more favourable accounts find an entertaining thriller in its patient build-up, in-flight anxiety and resourceful, vulnerable heroine. Foster gives the suspense a firm centre for several critics, while the confined setting and uneasy encounters with cabin staff draw praise for making an ordinary flight feel threatening.

The main reservation is plausibility: even sympathetic reviews question how well the plot holds together once its explanations arrive. Some also find that the shift towards action dissipates the earlier tension, though the available verdicts range from tense entertainment to flat contrivance. Slant Magazine admires Foster’s force but finds her intensity increasingly grating. The AV Club offers the strongest dissent, crediting the central twist’s ingenuity while arguing that it relies on an improbable chain of events.

Empire
1 January 2000 · Ian Freer
70*

Freer finds the film an entertaining, suspenseful diversion that ultimately fails to deliver a satisfying resolution. He praises the patient, claustrophobic build and Jodie Foster’s compelling performance, while faulting the final act’s plot holes.

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The Guardian
· Peter Bradshaw
70*

Bradshaw finds it enjoyable despite its wildly implausible plot. He singles out its homeland-security flavour as part of the thriller’s appeal.

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Screen Daily
23 September 2005 · John Hazelton
64*

The page identifies this as a review, but the review text is unavailable. Its verdict and any specific praise or complaint cannot be determined from the accessible text.

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Radio Times
★★★ · Leslie Felperin
60

The available text does not reveal the critic’s verdict. It describes the film as an oppressive action thriller, but offers no accessible comment on what the critic praises or faults.

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Time Out
22 November 2005 · BW
60*

The critic identifies The Lady Vanishes as Flightplan’s obvious, unacknowledged source. The available excerpt offers no clear overall verdict or further praise or complaint.

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Los Angeles Times
23 September 2005 · Carina Chocano
50*

Chocano finds the thriller entertaining but says it loses its initial atmospheric tension as it shifts into action. She praises the director’s use of claustrophobic in-flight anxiety and sinister-seeming flight attendant smiles.

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Slant Magazine
21 September 2005 · ★★/4 · Jeremiah Kipp
50

Kipp finds the thriller dull, overlong, and ultimately impossible to resolve satisfyingly. He praises Jodie Foster as a compelling heroine, though he says her intense performance becomes grating.

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The AV Club
21 September 2005 · Scott Tobias
30*

Tobias finds the film flat and implausible, especially beside the more effective Red Eye. He gives credit to the ingenuity of its central twist, but says it depends on an improbable chain of events.

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Eye for Film
25 November 2005 · Anton Bitel
75*

The review finds Flightplan an effective, tense thriller, though its scheme seems less plausible after the film ends. It especially praises Jodie Foster’s resourceful, vulnerable performance, which anchors the film.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate