Critics’ reviews

Flow (2024)

20 reviews from 20 publications. Critics’ score 82: 18 positive, 2 mixed, 0 negative.

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82
Positive
18
Mixed
2
Negative
0

The reviews lean strongly positive: eighteen of twenty recommend it, and none dismiss it. The praise clusters almost entirely on the animation of the animals themselves: how the cat and its companions move, how much feeling their faces and bodies carry without a line of dialogue, and how the film resists turning them into people. Several critics also single out the low, cat-height camera and the sense of scale in the flooded world.

The reservations, where they appear, concern the look and the tone rather than the story. Variety finds the animation technically rough in places; Vulture thinks its beauty can tip into something synthetic; Collider has similar doubts about the style and some of the more fantastical moments. The AV Club feels the slapstick sits awkwardly against the seriousness of the flood. The spread is narrow, running from warm to admiring, and no critic argues against seeing it.

Time Out
20 March 2025 · ★★★★★ · Phil de Semlyen
100

The review calls the film mysterious, magical and worthy of Studio Ghibli. It praises the film’s timelessly beguiling quality.

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Empire
3 March 2025 · John Nugent
95*

Nugent finds Flow a mesmerising, wondrous showcase for animation and a thoughtful story about collaboration. He especially praises its cinematic craft and lifelike animal movement, which make the wordless characters deeply affecting.

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IndieWire
21 November 2024 · A · Christian Blauvelt
95

Blauvelt calls Flow a moving, groundbreaking animated film that feels both radical and widely accessible. He praises the animals’ lifelike movements and quiet, wordless portrayal, especially the cat’s expressive behavior.

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The Hollywood Reporter
24 May 2024 · festival review · David Rooney
94*

Rooney calls the film a deeply affecting, joyful animated adventure and praises its emotional storytelling. He especially singles out the vivid, hand-crafted-looking animation and the animals’ expressive movement.

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Los Angeles Times
22 November 2024 · Robert Abele
90*

Abele calls “Flow” an enchanting, poignant triumph and praises its generous vision of animals learning to persevere together. He especially singles out the film’s fluid, shimmering imagery and behaviorally authentic animal characters.

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Slant Magazine
19 September 2025 · ★★★★½ · Steven Scaife
90

Scaife praises the film as an immersive, wordless animated story that finds emotional depth without anthropomorphizing its animal characters. He especially commends how their expressions convey feeling and how the film’s images retain mystery without explanatory dialogue.

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Little White Lies
17 March 2025 · 4/4/4 · Hannah Strong
80

Strong finds the film charming, warm and emotionally effective, with a gentle approach to its climate-catastrophe themes. She especially praises the lifelike animal behaviour and the heartfelt whale encounter, achieved with accessible animation software.

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Screen Daily
25 May 2024 · festival review · Allan Hunter
80*

The review presents the film as a standout at Cannes. It singles out its tour-de-force animation about a cat and fellow tsunami survivors.

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Sight and Sound
15 October 2024 · festival review
80*

The critic finds Flow sophisticated and engaging, praising its distinctive way of building empathy without dialogue. The animal behaviour and low, cat-height camera are singled out for making the story funny and visually distinctive.

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The Guardian
20 March 2025 · Cath Clarke
80*

Clarke finds the wordless animal adventure gorgeous and full of wonders. She especially praises its beautiful, painterly computer-generated animation and the animals’ lifelike movements.

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The New York Times
21 November 2024 · Jeannette Catsoulis
75*

The review is positive about this dialogue-free animated adventure. It singles out the film’s visual storytelling and animation for praise.

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The AV Club
19 November 2024 · B- · Jacob Oller
70

Oller finds Flow an engrossing, ambitious survival fable, though its slapstick comedy sometimes clashes with its apocalyptic seriousness. He praises the detailed animation and sound design for making the animals’ wordless world feel vivid and convincing.

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Vulture
21 November 2024 · Alison Willmore
65*

Willmore finds Flow charming and distinctive, though its visual beauty can become oppressively synthetic. She praises the animals’ expressive personalities and their convincing, unsentimental cooperation.

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Variety
16 June 2024 · Peter Debruge
60*

Debruge finds the film captivating and endearing, though its animation has notable technical shortcomings. He praises the cat’s expressive behavior and the group’s journey toward mutual trust.

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Deadline
6 December 2024 · Pete Hammond
90*

Hammond calls the film a wondrous, haunting, and profound experience. He especially praises its gorgeous animation and the way its wordless animal adventure explores community.

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Eye for Film
9 November 2024 · festival review · Jennie Kermode
90*

Kermode calls the film an engrossing adventure and a triumphant piece of filmmaking. She particularly praises its detailed, observant portrayal of animal movement and perspective.

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/Film
17 June 2024 · festival review · Rafael Motamayor
90*

The critic calls Flow one of the year’s best animated films and a uniquely compelling take on the post-apocalypse. They single out its exquisite, picture-book-like animation and naturalistic portrayal of animals.

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The Skinny
17 March 2025 · ★★★★ · Heather Bradshaw
80

Bradshaw praises the film as an affecting, wordless environmental parable. She singles out its naturalistic animal characters and their compelling cooperation in the face of disaster.

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The Wrap
22 November 2024
75*

The critic finds “Flow” harrowing and moving, despite its heavy-handed peril and climate-change allegory. They praise its breathtaking sense of scale and its quieter moments of animal behavior.

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Collider
22 November 2024 · 7/10 · Ross Bonaime
70

Bonaime finds Flow an impressive, experimental animated film, though its animation style and some fantastical moments hold it back. He especially praises how naturally the animals communicate and how much the dialogue-free story conveys.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate