Glass Onion: A Knives Out Mystery (2022)

Jenkins delivers an exuberant verdict, calling the film an exceptionally fun and incisive mystery. He especially praises Daniel Craig’s comic intensity and Janelle Monáe’s nuanced performance.

Erbland finds the sequel a delightful, sharply constructed whodunit that confidently stands on its own. She praises its playful genre twists and Daniel Craig’s loose, silly performance as Benoit Blanc.

The critic finds the sequel a joyful, whip-smart crowd-pleaser that improves on the original. They single out Johnson’s nimble reinvention of the whodunit and Janelle Monáe’s performance as the story’s heart.

The critic finds the sequel even more delightful than the original, without falling into the usual bloat of a follow-up. They praise its varied ensemble and the way Johnson sustains momentum through the plot’s shifts in time.

Nugent finds it a fizzy, entertaining crowd-pleaser, though the comedy sometimes feels overindulgent. He praises Janelle Monáe’s performance and the maze-like script.

O'Sullivan calls the film fantastic, intelligent and outrageously funny, though it starts slowly. She particularly praises Daniel Craig's Benoit Blanc, Janelle Monáe's performance and the film's satire of the self-aggrandising rich.

Mottram’s headline and description present the film as a marvellously entertaining whodunnit. They single out Daniel Craig’s return as Benoit Blanc for praise.

The review finds the film a winning blend of satire and sleuthing. It praises the smart, sassy mystery and Daniel Craig’s Benoit Blanc as a Poirot for the super-rich era.

The review finds the sequel almost as sharp as the original and highly entertaining, though its larger scale may not suit everyone. It praises Rian Johnson’s cleverly twisting screenplay and its playful genre deconstruction.

Willmore finds the sequel bigger, more precisely designed, and more satisfying than its predecessor. She particularly praises its patient character work, which makes the characters’ moral hollowness emerge gradually.

Chang finds the film splendidly entertaining, though less airtight and somewhat more derivative than its predecessor. He especially praises the dexterity of Johnson’s plotting and the sharper satire of the billionaire class.

Gleiberman finds the sequel thoroughly entertaining, though its killer reveal is less satisfying than the original’s. He praises Janelle Monáe’s performance as the fascinating, quietly indignant Andi.

The review finds the film largely charming and ingenious, despite its shortcomings. It praises the pacing and inventive mystery while faulting the humor’s staying power and the characters’ lack of depth.

The visible page confirms this is a Toronto review, but the critic’s verdict is unavailable in the paywalled text. The standfirst highlights the Greek setting and Netflix’s takeover of Johnson’s whodunnit series, without revealing a specific praise or complaint.

Lee finds the sequel entertaining but less potent than the original, with its excesses often blunting the fun. He praises Johnson’s intricate plotting and Kate Hudson’s comic performance, while faulting the overstuffed opening and its too-many jokes.

Macnab finds the film hard to like at first because its characters are obnoxious, but ultimately considers it plenty of fun. He praises the exuberant storytelling and lively performances, particularly Daniel Craig and Janelle Monáe.

The page is identifiable as a review, but its verdict cannot be verified from the available text. No praised or criticized element is visible in the blocked page.

The critic finds the film an entertaining, twist-filled sequel whose political commentary feels self-satisfied and pandering. They praise the ensemble performances, especially Janelle Monáe’s quietly wounding portrayal.

Lane finds the film clever and entertaining but ultimately thin and cold. He praises its intricate, twisting storytelling and Kate Hudson’s comic performance, while faulting the unlikable characters for leaving the story emotionally chilly.

Crow finds the sequel supremely entertaining and praises its sharp satire of wealth and privilege. He singles out Janelle Monáe’s performance and righteous fury as a standout.

Bonaime calls it a deeply satisfying, entertaining mystery that surpasses its predecessor. He especially praises Johnson’s nimble storytelling and the cast, while noting that a few ensemble members get little to do.

The critic calls the film an exciting, funny crowd-pleaser with a meticulously plotted mystery. He especially praises Janelle Monáe’s performance, while noting that the explosive finale is somewhat messy.

The critic says Glass Onion surpasses its predecessor with a bigger, funnier, more intricate mystery. They single out Daniel Craig’s performance as Blanc as especially hilarious and memorable.

The critic finds the sequel silly, absurd fun and suggests it may surpass the original. She praises the lively ensemble and the film’s deftly handled social commentary.

Chacón finds the sequel sillier and more over-the-top than its predecessor, but even more enjoyable. She praises Johnson’s visual comedy and the film’s lively, twist-filled take on murder mysteries.

The critic finds the sequel equally entertaining and satisfying, with no sequel fatigue yet. They single out the ensemble and its entertaining, nuanced satire of the wealthy for praise.

The review calls it an almost impossible-to-resist, bigger and twistier sequel that makes for especially fun repeat viewing. It praises the crowded ensemble, singling out Janelle Monáe as the standout alongside Daniel Craig.

Doherty finds the sequel deliriously fun and meticulously crafted, despite its overly didactic social commentary and topical references that may quickly date. He praises the game cast, slick style, and convoluted mystery’s crowd-pleasing climax.

The critic finds the film hugely entertaining and very funny, though it runs longer than it needs to. They single out Daniel Craig’s comic performance and the editing’s wit for praise.

Wilkinson finds the film a sharper, more precise follow-up, though its setup runs long and its topical satire may date. She praises the cast’s playful performances, the visual and scripted humour, and the costume design.

Welsh finds the film flashy, fun entertainment, despite muddled themes and a finale that fails to land. He especially praises Janelle Monáe’s multifaceted performance and the cast’s lively comic turns.

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Nayman finds the film enjoyable but disposable, with its satire too self-righteous to feel especially trenchant. He praises Janelle Monáe’s performance and her scenes with Daniel Craig, while finding much of the supporting cast underused or stuck in easy comic shtick.

The critic finds the sequel uninspired and forgettable, with little suspense or memorable characterization. Janelle Monáe is singled out for delivering the film’s most complex role with distinction.