Most critics settle on the same word for Gnomeo & Juliet: charming. The reviews lean mildly positive, with the kindest calling it a cheerful, likeable children’s film that works better than its garden-gnome premise ought to allow. Praise clusters around the voice cast, the detailed animation of the rival red-and-blue gardens, and the affectionate, distinctly British way the film plays with Shakespeare rather than simply raiding him.
The reservations are almost all about the script. Many find the pop-culture gags lazy and the story too reliant on borrowed jokes, and the Elton John songs divide critics between those who find them a pleasure and those who hear them as recycled. The spread is wide, from warm approval to outright dismissal: Time Out and The Hollywood Reporter both judge it derivative and short on inspiration, while Den of Geek suspects it will amuse cynical adults more than the children it is aimed at.
