Good Fortune (2025)

Ansari’s body-swap comedy debut is a charming, sharply written film with a blistering barrage of jokes and immense heart. It singles out Keanu Reeves for delivering the best comedic performance of the year as the endearing angel Gabriel.

Ansari’s debut is a vehicle for its cast’s charm, especially Keanu Reeves as a bumbling angel, making it hard to dislike despite flaws. The film’s social commentary on economic inequality feels underdeveloped and the ending rushed.

More cute than hilarious, the film is a familiar body-swap comedy that highlights recognizable social injustice around gig work and inequality. It suggests true happiness lies in preserving the existing social order rather than upending it.

Ansari’s directing debut uses a corny angel premise as shorthand for a working-class critique of capitalism and gig economy struggles. Reeves’ brainless angel steals the show in this sincere homage to high-concept studio comedies.

The critic finds the film an alternately fun and clunky satire that honors its Capra and Sturges influences but struggles to blend comedy with earnest messaging. Keanu Reeves' performance as the inept guardian angel is singled out as the comedic highlight.

The critic calls the comedy pedestrian and naïve in its class-conscious approach, arguing it fails to convincingly portray the gig economy despite good intentions and nods to classic films. Keanu Reeves' angel character is praised as the most intriguing element.

Ansari’s frothy big-studio body-swap comedy has virtuous intentions but disappointing execution and little substance or style. It praises the occasional smart joke and Keanu deadpan but complains that the class commentary is underbaked and the happy ending too pat.

Ansari’s ambitious morality tale mixes celestial stories and body-swap comedy but struggles to balance its jabs at inequality with sentimentality. Reeves delivers one of his best recent roles as the disarming angel at the film’s heart.

Ansari’s feature debut echoes classic Hollywood comedies but tries to juggle too many story strands. It praises the choice casting, especially Reeves as vastly entertaining, and Ansari’s sharp jokes about gig-economy life.

The review notes that the directorial debut is funny but ultimately flat, with jokes unable to mask deeper structural and thematic problems in its body-swap and guardian-angel premise. The lightness provided by the stars cannot overcome the film's shortcomings.

The film has noble intentions around reviving theatrical comedy and commenting on class divides and the gig economy but struggles with laughs and an awkward fit for Ansari's style. It ends up uneven, repetitive, and reliant on surface-level lessons with an unearned schmaltzy finish.

The critic calls the film a mediocre anti-capitalist fable that fails to deliver laughs or depth despite its cast and premise about wealth inequality. They highlight the stilted dialogue, lack of genuine comedy, and underdeveloped script as major shortcomings while noting some visual strengths.

The comedy feels like a lazy, patronising lecture on poverty delivered by wealthy Hollywood figures, amounting to bilge that will mean little to those in the protagonist's position.

The critic commends the biting satire on the gig economy and wealth inequality, highlighting the sharp jokes, relatable struggles, and strong performances, especially Reeves as the angel, calling it a refreshing comedy with a message.

The critic finds the film a timely, hilarious gig-economy comedy that mixes life-swapping fantasy with social commentary and delivers plenty of laughs in a theatrical setting. Ansari’s directorial debut is praised for its comic timing and casting, especially the lead performances.

Ansari’s gentle, low-key comedy is more clever than riotous and benefits greatly from Reeves’ affecting, funny turn as an inept angel. The writing explores happiness under ordinary circumstances but can feel too explicit and the direction lacks grace.

The critic finds it an entertaining, humorous take on familiar body-swap and angel-intervention premises that does not always stick the landing. Standout performances from Keanu Reeves and Keke Palmer buoy the film despite some pacing issues.

The critic praises the film's grounded take on gig economy struggles and Keanu Reeves' charming performance as the angel, but notes it's not as funny as expected and works better as drama. It's a good but not triumphant debut.

The film is not great overall—preachy, on-the-nose, and flat in places—but offers a uniquely fun showcase for Reeves as a mortal angel discovering small human joys. His rare on-screen smiles and loosened, goofy affect provide the real highlight amid the story’s economic themes.