Critics’ reviews

Good Vibrations (2012)

11 reviews from 11 publications. Critics’ score 72: 8 positive, 2 mixed, 1 negative.

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72
Positive
8
Mixed
2
Negative
1

Most critics respond warmly to Good Vibrations, finding an energetic, hopeful biopic about Terri Hooley’s music-promotion work amid Belfast’s Troubles. Praise centres on Richard Dormer, whose charismatic performance gives the film much of its warmth and momentum. The reviews also value its sense of Belfast’s music scene and its understanding of how music can matter personally and politically, with the musical sequences drawing particular enthusiasm.

The spread is fairly wide, though even the less persuaded critics tend to admire Dormer. Reservations concern familiar musical-biopic plotting, uneven emphasis and occasional excess length. Time Out remains positive despite finding the genre clichés conspicuous, while Total Film questions the sidelining of Hooley’s neglect of his family. Variety is the clearest dissent, finding that the familiar trajectory and the central character’s contradictions weigh down the film despite its energy and convincing period atmosphere.

The Guardian
28 March 2013 · Peter Bradshaw
90*

Bradshaw finds the biopic warm, lovable and terrific. He especially praises the scene where Hooley discovers punk amid a pogoing crowd.

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Radio Times
★★★★ · Damon Wise
80

Wise finds the biopic an exciting, feel-good reminder of rock’s power. He praises its portrayal of Terri Hooley’s music-promotion work amid Belfast’s Troubles.

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Time Out
18 September 2012 · ★★★★ · Tom Huddleston
80

The review calls the film genial but overly reliant on rock-movie clichés. It singles out familiar genre elements as its chief weakness.

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Empire
6 March 2013 · Damon Wise
78*

The critic finds it a joyous, hopeful story of music overcoming division. Richard Dormer’s electric performance as Terri Hooley is singled out for praise.

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Evening Standard
30 April 2013
70*

The review finds the biopic cheerful and observant, though somewhat overlong. It praises Richard Dormer’s rollicking performance and the film’s depiction of Belfast’s music scene.

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The Hollywood Reporter
5 July 2012 · festival review · Stephen Farber
70*

Farber finds the film charming and energetic, though lightweight and too parochial to attract much attention in America. He praises Richard Dormer’s performance and the lively musical numbers.

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Screen Daily
1 July 2012 · Mark Adams
64*

The article is classified as a review, but the paywall hides the critic’s verdict. The accessible text does not reveal what the critic singles out for praise or complaint.

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Total Film
22 March 2013 · ★★★ · Kevin Harley
60

The review finds the biopic likeable but flawed, buoyed by its optimism yet weakened by its imbalance. It praises Richard Dormer’s charming performance while faulting the film for sidelining Terri Hooley’s neglect of his family.

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Variety
2 November 2012 · festival review · Leslie Felperin
44*

Felperin finds the film energetic but weighed down by a familiar musical-biopic trajectory and its hero’s contradictions. She praises Richard Dormer’s charismatic performance and the convincing period atmosphere.

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Eye for Film
30 September 2012 · festival review · Sophie Monks Kaufman
90*

The critic calls the film a joyous, beautifully rendered character study. She especially praises Richard Dormer’s vivid, intelligent performance as Terri Hooley.

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HeyUGuys
14 October 2012 · ★★★½ · Craig Skinner
70

The critic finds the biopic enjoyable and thoughtful, praising its understanding of music’s personal and political impact. Richard Dormer’s buoyant performance and the sensitive use of archival footage stand out, though some stylistic choices falter.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate