Critics’ reviews

Guys and Dolls (1955)

8 reviews from 8 publications. Critics’ score 82: 7 positive, 1 mixed, 0 negative.

Back to our review of Guys and Dolls

82
Positive
7
Mixed
1
Negative
0

Most critics greet Guys and Dolls warmly, with praise clustering around the songs, performances and energetic choreography. The reviews repeatedly credit the cast with bringing the musical’s theatrical world to life, particularly Jean Simmons, while Michael Kidd’s choreography draws specific praise. The songs remain a consistent pleasure across the reviews, with “Sit Down You’re Rockin’ the Boat” and Simmons’s rendition of “If I Were a Bell” singled out.

The spread is largely positive, with one mixed assessment and no outright rejection. Brando prompts the clearest disagreement: Radio Times calls him the definitive Sky Masterson, while Eye for Film criticises his singing and dancing, alongside the film’s length and lack of polish. The theatrical presentation also divides opinion: Little White Lies finds the sets stagey and some dialogue stilted, whereas The New Yorker praises the way theatrical artifice becomes cinema. These reservations rarely outweigh the enthusiasm for the musical numbers.

Empire
1 June 2006 · Angie Errigo
90*

Errigo calls it one of the most thrilling and entertaining musicals. She particularly praises the vibrant performances, memorable songs and energetic choreography.

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The Guardian
25 December 2014 · Peter Bradshaw
90*

Bradshaw finds the musical an enduring delight, though Sinatra and Brando’s roles are too atypical for their pairing to match their individual stature. He especially praises the exuberant showtunes, singling out “Sit Down You’re Rockin’ the Boat.”

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Variety
31 December 1954 · Variety Staff
85*

Variety praises the film as a polished, lively musical. It singles out the casting, especially Brando and Simmons making their unconventional romance believable.

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Little White Lies
19 December 2014 · 4/4/4 · Adam Woodward
80

The review celebrates the film as one of the last great MGM musicals, despite some stilted dialogue and stagey sets. It especially praises Jean Simmons, whose performance and rendition of “If I Were a Bell” outshine her co-stars.

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Radio Times
★★★★ · Tony Sloman
80

Sloman praises the film as a great musical and calls Brando the definitive Sky Masterson. He singles out Michael Kidd’s choreography and the film’s depiction of Broadway as highlights.

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Time Out
15 December 2014 · ★★★★ · Tom Huddleston
80

The available text welcomes the return of this brassy musical to the big screen. It singles out the chance to see the film theatrically, though the full review is unavailable.

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The New Yorker
20 November 2012 · Richard Brody
78*

Brody finds the film a vivid cinematic transformation of theatrical artifice. He especially praises the cast’s performances and the way they bring Frank Loesser’s songs to life.

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Eye for Film
9 June 2006 · Leanne McGrath
65*

The critic finds the film enjoyable despite its length and lack of polish. She singles out Vivian Blaine’s performance and the energetic choreography for praise, while criticizing Marlon Brando’s singing and dancing.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate