Idiots (2026)

The critic finds it an entertaining throwback to raunchy 2000s bro comedies with infectious cast chemistry and standout gags, though it becomes muddled toward the end and struggles to resolve its loose ends.

The critic finds Blair's follow-up a goofy, foul-mouthed road movie and kidnapping caper that draws heavily from the Coen brothers' Burn After Reading. It follows two inept odd-couple drivers entangled in an over-the-top plot with drugs, strippers, and a gun-toting rapper.

The frenetic R-rated comedy moves at a chaotic clip but strains to find meaning in its shades of stupidity and lacks depth for its characters. Charisma from the leads only carries it so far before contrived situations take over.

The critic finds the road-trip comedy uneven and unable to live up to its strongest moments despite solid performances. It merges influences like The Last Detail and Road Trip but fails to carve out its own lane.

The low-effort buddy road comedy about low-effort people struggles to clear even a low bar for idle amusement, with slack scenes and threadbare execution. The characters lack backstory or motivation, and absurd encounters feel like excuses for mugging.

The critic calls it one of the best comedies of 2026 and praises its tonal whiplash that blends road-trip buddy comedy with unflinching social commentary on wealth and accountability. They single out Mason Thames' performance as the villainous teen Sheridan for making the laughs deeply unsettling and recontextualizing the story.

The critic calls it an endearing buddy movie and goofily violent stoner romp full of surprises, comparing it favorably to Coen brothers-style anarchy and Dumb and Dumber meets Midnight Run. They single out the excellent casting, particularly O'Shea Jackson Jr. and Dave Franco as the sad-sack leads, and the organic shaggy-dog storytelling with social commentary.

The critic finds it a hilarious but uneven road trip comedy that benefits from Blair's dark style and strong performances from the leads, but is hurt by some overly dark tangents that disrupt the tone.

The critic finds the film starts as a fun, mind-rotted stoner comedy with strong odd-couple chemistry between the leads but suffers a damaging tonal shift midway when the teen character turns monstrous, leaving a sour taste and unfulfilled arc. They praise the backwoods weirdness and some performances but note it never fully recovers its identity.