Incredibles 2 (2018)

Kermode says the sequel surpasses the original and wins him over. He especially praises Jack-Jack’s slapstick, calling its physical gags brilliantly executed and uproariously funny.

Edelstein finds Incredibles 2 delightful and praises Brad Bird’s stylish, nimble superhero filmmaking. He especially singles out the Jack-Jack and raccoon slapstick sequence for its comic timing.

Tallerico gives the sequel a positive verdict, finding it worth the long wait. He singles out its inventive animation and family dynamics for praise.

Ehrlich finds the sequel rocky at first but ultimately great, praising its character-driven action and its blend of family life with superhero spectacle. He especially singles out Holly Hunter’s soulful performance and the exhilarating action sequences.

Norman finds the sequel witty and charming, with its gender-role reversal giving the superhero story a fresh angle. He especially praises Brad Bird’s smart, funny script and the comic moments involving Jack-Jack.

Turan finds the sequel sparkling and crowd-pleasing, though it lacks the original’s shock of novelty. He especially praises the returning blend of sharp dialogue, comic adventure, and believable family dynamics.

The review presents the sequel as delightful, irresistible entertainment. It highlights the superhero family's role reversal and return to battling super-villains.

The review presents the sequel as spirited and engaging. It singles out the humorous contrast between superheroics and the advanced skills parenthood demands.

Graham finds the sequel a terrific, energetic blast despite its less focused ideas and overly obvious messaging. He especially praises the inventive animation and the chaotic Jack-Jack-versus-raccoon sequence.

Nugent finds it a gloriously fun, energetic family film despite an over-familiar setup and a weak villain. He especially praises the witty family moments and the film’s kinetic action.

Romney’s standfirst gives the sequel a clearly positive verdict. He singles out its elaborate motion and detail, alongside its smart writing.

The critic’s brief verdict is positive, saying the family continues to entertain and charm. The accessible text singles out that equal measure of entertainment and charm as the film’s strength.

McCarthy finds the sequel entertaining and worth the wait, though not quite as successful as the original. He praises its wit, engaging family dynamics and retro design, while noting that Elastigirl’s action sequences become repetitive.

Lane finds the sequel enjoyable and expertly made, though it cannot match the original’s impact. He particularly praises its kinetic visual design and the period-modernist world Brad Bird creates.

The review's verdict cannot be established from the available page. No specific praise or complaint is accessible.

Watson finds the sequel fleeter and funnier than the original, but ultimately disappointing as a familiar superhero movie. He praises Elastigirl’s fluid animated action and Jack-Jack’s comic chaos, while faulting the mechanical plotting and obvious villain reveal.

Strong finds the sequel charming and warm, though it relies too heavily on nostalgia and brings little new. She praises its family focus and singles out the strobe-lit confrontation as a standout scene.

Gleiberman finds the sequel entertaining but disappointing, replaying the original rather than building on it. He singles out Jack-Jack as its most crowd-pleasing feature, while criticizing the story’s formulaic quality and lack of emotional impact.

The critic calls it one of Pixar’s finest follow-ups and a bright, crowd-pleasing superhero film. He especially praises Brad Bird’s animation and action, and Elastigirl’s liberating turn at the story’s center.

The critic says the sequel is a thrilling, joyful adventure that more than justifies the wait. He praises its inventive action set pieces and singles out Jack-Jack as the film’s hilarious, adorable MVP.

Anderton praises the sequel as a superb superhero film centered on family, with strong character development. He especially singles out Elastigirl’s inventive, thrilling action sequences.

The critic finds the sequel rousing, funny, and richer than its predecessor, with a welcome reversal of traditional family roles. Jack-Jack’s chaotic powers and comic antics are singled out as a standout source of humor.

The critic says the sequel meets high expectations and is a gleefully inventive success. They single out its gorgeous retro-futurist design and the crisp, surprising execution of its action and comedy.

Han finds the sequel a lively, distinctive superhero film that stands up to its predecessor, though its broader scale makes it somewhat shakier. She especially praises the clear, inventive action staging and the fluid animation.

Goldberg calls the sequel worthwhile and one of Pixar’s finest, though it does not match the original’s heights. He especially praises the relatable, richer story of Mr. Incredible struggling to care for the children at home.

The critic finds the sequel lively, charming and playful despite its lack of plot surprises. They especially praise Elastigirl’s action scenes and the film’s sharp family humor.

The critic praises the sequel as a breakneck, entertaining film that overcomes Pixar’s sequel curse. They single out its lucid action, especially Elastigirl’s runaway-monorail rescue.

Burgin finds the sequel messier and less compelling than the original, but still thoroughly enjoyable. He singles out the family interactions and Elastigirl’s resourceful heroics for praise.

Lambie finds the sequel entertaining but less fresh and ambitious than the original. He praises its vibrant animation and assured action, while noting that the story’s ideas and supporting characters feel underused.