Into the Woods (2014)

Rooney finds the adaptation captivating, balancing theatricality with cinematic storytelling and dark wit. He especially praises Meryl Streep’s richly comic and emotionally powerful performance as the Witch.

Sharkey finds the film delightful, praising how its clever tale and well-matched ensemble preserve the musical’s magic. She particularly singles out Emily Blunt’s performance for its effortless range and charisma.

Foundas finds the adaptation faithful and respectable, though not especially inspired. He praises the cast’s singing and especially Emily Blunt’s heartbreaking performance as the baker’s wife.

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Osenlund finds the film refreshingly bold but says it loses its way in an overlong, unraveling final act. He praises Meryl Streep’s singing and commanding performance, especially her climactic rendition of “Last Midnight.”

Jones finds the adaptation somewhat softened from the darker, more poignant Broadway original but still a potent screen transfer. He praises Sondheim and Lapine’s magical musical, shaped into a new fable from familiar fairy-tale characters.

The review gives the film a three-star verdict. It singles out the A-listers’ showtunes and costumes, likening them to ‘Game of Thrones’ extras.

Graham finds the film admirable but says it never quite reaches the emotional heights it seeks. He praises its preservation of Sondheim’s lyrical complexity and the sombre third act’s willingness to move beyond a happy ending.

The critic considers the film worth seeing but finds it flawed overall. Emily Blunt’s performance stands out, while the tuneless songs and softened witch storyline draw criticism.

Edelstein finds the film ingenious and enchanting for much of its runtime, but says its apocalyptic second act feels bewilderingly mean. He especially praises Emily Blunt for giving the unwieldy story its farcical heart.

Errigo finds the film uneven, with its clever, touching moments outweighed by stretches that feel tiring and poorly balanced. She particularly praises the performances and production design, highlighting Chris Pine’s comic duet as a standout.

Shoard finds the film an unrewarding but not wholly disappointing, familiar adaptation that arrives too late to feel magical. She praises Emily Blunt’s funny, fresh performance and singles out Chris Pine’s comic turn as another highlight.

Goldberg finds the film delightful and entertaining, though Marshall’s direction is less daring and energetic than the material deserves. He praises the cast, especially Anna Kendrick and Meryl Streep, while criticizing Johnny Depp’s miscasting and the underwhelming production design.

Hammond finds the adaptation lively, fun, and family-friendly. He singles out the terrific cast’s fine performances and some welcome surprises as singers.

The review finds the film great fun and an engaging progression from wishing to change. It praises Emily Blunt’s performance and the musical’s thoughtful interweaving of classic fairy tales.

Pape finds the film enchanting and unusually human, though its second half makes for an unfulfilling conclusion. He praises the witty, poetic lyrics and the playful cast, especially Meryl Streep and Chris Pine.

The critic finds the adaptation imperfect but ultimately satisfying. Blunt’s performance is singled out for its command of the songs, comedy, and despair.

Kaye finds the film enjoyable overall but says its abrupt shift into darker material throws it off balance. He praises the cast’s performances and singing, especially Emily Blunt and Meryl Streep.

The critic finds the film entertaining and well performed, but ultimately diminished by its reluctance to embrace the musical’s darker spirit. Emily Blunt’s performance as the Baker’s Wife is singled out for particular praise.

The review finds the adaptation muddled and lacking in magic, despite its talented cast. It praises Meryl Streep for enlivening scenes as the wicked witch.