The reviews are split roughly down the middle, with mixed notices outnumbering either the warm or the hostile. Where the critics agree is on the cast: almost every review, kind or cold, praises Meryl Streep and Alec Baldwin, and most single out the ease between them as the reason the film works at all. John Krasinski and Steve Martin draw regular mentions too. The kinder notices call it a grown-up romantic comedy with a frisky farce streak and enjoy it on those terms.
The reservations cluster around the writing. Several critics find the film overlong and too tidy, the gags and emotional turns calculated and lacking bite, and the comfortable world of the characters far removed from anything real. The spread is wide, running from the low twenties to the eighties. Slant and Variety are the sharpest dissenters, finding the humour flat and the tone self-satisfied, while Radio Times and HeyUGuys are the most enthusiastic, finding it more entertaining than expected.
