Critics’ reviews

Jay and Silent Bob Strike Back (2001)

12 reviews from 12 publications. Critics’ score 49: 2 positive, 7 mixed, 3 negative.

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49
Positive
2
Mixed
7
Negative
3

The reviews lean mixed, with most critics landing somewhere between amused and worn down. Where there is praise it goes to the Hollywood parodies and to the supporting players: Chris Rock’s furious director and Jason Lee’s scene-stealing turns come up more than once, and Will Ferrell is singled out as the one actor adding something to a deliberately dumb comedy. Several reviewers admit to laughing, and nearly all agree the film works best for people who already know Kevin Smith’s earlier films.

The reservations cluster around self-indulgence. The insider jokes about Miramax, the scatological business and a shapeless plot are the recurring complaints, and the spread is wide. Den of Geek and Eye for Film treat it as mindless fun, while Variety calls it a squandered setback, The Guardian finds it crude with little comic payoff, and The AV Club points to a long, leaden heist subplot as the place where the film stalls. Empire speaks for the middle: infuriatingly uneven, sharp one minute and mirthless the next.

The New York Times
24 August 2001
64*

The page is identified as a film review, but its text is inaccessible, so the critic’s verdict cannot be established. No specific praise or complaint can be verified from the available page.

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Time Out
· AL
64*

The accessible page does not reveal the critic’s verdict. It provides no praise or complaint beyond the film’s premise.

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Radio Times
★★★ · Andrew Collins
60

The review sees the film as an indulgent, dim-witted road-trip comedy rather than a successful return to Smith’s slacker universe. It singles out the pair’s scatological antics as a weakness.

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Total Film
30 November 2001 · ★★★ · Total Film
60

The review finds the comedy enjoyable overall, though uneven and most rewarding for Kevin Smith fans. It praises the Hollywood parodies while criticizing the film’s patchiness and reliance on insider references.

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Empire
1 January 2000 · Adam Smith
50*

Smith finds the film infuriatingly uneven, with jokes that sometimes land brilliantly and sometimes fall flat. He praises Jay’s tree-dweller rant and Chris Rock’s angry director, while criticizing the weak plot and mirthless stretches.

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RogerEbert.com
24 August 2001 · ★★/4 · Roger Ebert
50

The page is blocked, so the critic’s verdict cannot be verified from the available text. No specific praise or complaint is accessible.

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Slant Magazine
16 November 2009 · ★★½ · Ed Gonzalez
50

Gonzalez finds the film consistently funny and among Kevin Smith’s best work, despite an occasional lapse into parody. He praises its sharp Hollywood satire but calls the Blu-ray release anemic, with only adequate picture and sound and scant extras.

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The Guardian
2 December 2001 · Philip French
20*

French finds the film self-indulgent and crude, with little comic payoff. He particularly criticizes the dumbed-down humor and performances that mug knowingly at the audience.

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Variety
17 August 2001 · Scott Foundas
20*

Foundas delivers a strongly negative verdict, calling the film a squandered artistic setback. He criticizes its limp movie parodies and self-congratulatory Miramax insider humor.

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The AV Club
31 August 2001 · Scott Tobias
10*

Tobias pans the film as a self-indulgent, shapeless exercise aimed at hardcore Kevin Smith fans. He singles out the overlong, leaden heist subplot as especially damaging to the film’s momentum.

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Den of Geek
6 August 2009 · Carley Tauchert
80*

Tauchert calls the film a guilty pleasure and a fitting love letter to Kevin Smith fans. She especially praises the cast’s enthusiasm and Jason Lee’s scene-stealing performances.

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Eye for Film
20 September 2002 · Keith Dudhnath
70*

Dudhnath finds the film to be mindless, hilarious fun, though its appeal depends on familiarity with Smith’s earlier films. He singles out Will Ferrell as the only actor who brings something extra to the deliberately dumb comedy.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate