Kung Fu Panda 3 (2016)

Richards finds it a grand farewell and says it may be the series’ best entry. He praises the confident, cheerful storytelling, its steady laughs and gorgeous production design.

Chang finds the third installment delightful, saying it restores the franchise’s lightness while bringing Po’s story to a satisfying finish. He especially praises its buoyant humor and visually adventurous animation.

Solomon finds the film a satisfying conclusion to Po’s story and a welcome showcase for DreamWorks’ artists. He particularly praises the imaginative animation, visual design, and Chinese-painting-inspired backgrounds.

Goldstein finds the sequel charming, funny and well-constructed, with plenty to please children and adults. He particularly praises the vivid animation and colorful settings, while noting that the pacing could be tighter in the middle.

O’Sullivan finds the film sweet, savvy and emotionally warming, though not as strong as Toy Story’s conclusion. She especially praises its gorgeous, imaginative action sequences and female characters who avoid simpering.

The review finds the film familiar but well balanced and charming. It praises the fluidly animated fight choreography and the way action is distributed throughout.

The critic finds the film generally pleasing, though its storyline falls short dramatically. The luminous visuals and the voice cast are singled out for praise.

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The supplied page is inaccessible, so the critic’s verdict cannot be established. No praise or complaint can be reliably identified from the available text.

The critic finds it decent, generic fun that follows the franchise’s established formula. They praise the precise, graceful animation of its energetic fight scenes.

Jones finds the third chapter affable but repetitive, with too many familiar characters sidelined. He praises its inventive, dazzling visuals.

Needham finds the sequel impressive and likely to charm both children and adults. He praises its intimate family moments alongside its spectacular set pieces and sumptuous visuals.

The critic describes this as a lighter entry in the successful series. They praise its good looks.

Hammond calls it the best film in the franchise so far, praising its heart and broad family appeal. He singles out Jack Black’s vocal performance and Bryan Cranston’s dimensional turn as Po’s father.

The critic finds the film charming and effervescent, though not groundbreaking. They single out its witty screenplay, colorful visuals, and satisfying reconciliation between Po’s fathers.

The critic finds the sequel worthwhile and says it retains Po’s appealing underdog quality. They praise its vibrant visuals and atmosphere, but fault Kai for lacking menace.

Kaye finds the film visually gorgeous but a rote, overcomplicated installment that lacks emotional resonance. He praises Jack Black’s charm and inventive line delivery, while noting that the supporting cast gets little to do.

The critic finds the film sentimental and visually imaginative, but feels its star-studded vocal cast is given too little to say. The 3-D and slow-motion sequences are singled out for praise.