Critics’ reviews

Listen to Me Marlon (2015)

14 reviews from 14 publications. Critics’ score 72: 9 positive, 4 mixed, 1 negative.

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72
Positive
9
Mixed
4
Negative
1

Most critics admire Listen to Me Marlon, and the praise lands almost entirely in one place: the tapes. Brando recorded himself for years, talking about acting, his childhood and his failures, and the reviews agree that hearing him analyse his own life is the film’s reason to exist. Several call the effect ghostly or revelatory, and the archive collage Riley builds around the voice is thought textured and well assembled.

The reservations concern what is done with the tapes rather than the tapes themselves. The New Yorker thinks the finished film unworthy of its source and finds Riley’s imagery, sound and editing a distraction from the voice. The AV Club calls it ordinary, telling anyone who already knows Brando little new, and dislikes the score. HeyUGuys, otherwise enthusiastic, notes that some of the audio is hard to make out. The spread is wide, from near-raves at Vulture and Variety down to one outright rejection, with most reviews settling comfortably on the positive side.

Vulture
29 July 2015 · David Edelstein
95*

Edelstein calls the film an exceptionally searching documentary and a fitting epitaph for Brando. He praises how Brando’s own recordings and images reveal the actor’s insight into his art and the pain behind his life.

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Variety
31 January 2015 · festival review · Dennis Harvey
88*

Harvey calls the documentary a fascinating, superbly crafted portrait that lets Brando tell and analyze his own story. He particularly praises the textured archival collage and the candid self-questioning heard in Brando’s tapes.

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Los Angeles Times
30 July 2015 · Kenneth Turan
85*

Turan finds the documentary revelatory and strikingly emotional, presenting Brando as complex and deeply self-aware. He particularly praises the unprecedented use of Brando’s personal audio recordings to reveal his candid reflections on acting and life.

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IndieWire
28 July 2015 · B+ · Nikola Grozdanovic
83

The critic finds the documentary gripping and moving despite rough assembly. Its strongest feature is Brando’s self-analysis through his own recordings, which offers absorbing insight into the man behind the actor.

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Time Out
18 October 2015 · ★★★★ · Dave Calhoun
80

Calhoun presents the documentary as fascinating and ghostly. He singles out its use of old tapes and film footage to let Brando narrate his own life.

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Empire
20 October 2015 · Angie Errigo
70*

The review finds the documentary singular and compelling, though it conveys both delight and distress. It particularly praises Brando’s private recordings and the insight they offer into his acting and life.

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The AV Club
28 July 2015 · B- · Mike D'Angelo
70

D’Angelo finds the documentary interesting but ordinary, offering little that cinephiles do not already know. He praises Brando’s enduring fascination and the poignancy of hearing his private self-hypnosis recordings, while faulting the score.

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RogerEbert.com
65*

The page does not reveal the critic’s verdict. Its browser-check screen provides no praise or criticism to summarize.

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Screen Daily
1 February 2015 · David D'Arcy
64*

The review’s verdict is unavailable because the article body is hidden. No praise or complaint can be identified from the visible text.

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The New York Times
29 July 2015
64*

The review’s verdict cannot be determined from the page provided. The blocked page reveals no details about what the critic praised or criticized.

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The Guardian
25 October 2015 · ★★★ · Mark Kermode
60

Kermode presents the documentary as an intimate, anguished portrait of Brando’s decline. He praises how Riley uses Brando’s self-analysing audio archive to get under the actor’s skin.

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The New Yorker
30*

The critic finds the finished film unworthy of its remarkable source material. They praise Brando’s intimate recordings but fault Riley’s distracting imagery, sound, and editing.

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HeyUGuys
festival review · Stefan Pape
90*

The critic considers the documentary a triumphant, intimate portrait told in Brando’s own words. They praise Riley’s skillful shaping of the recordings but note that some audio is difficult to make out.

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The Playlist
27 March 2015 · festival review
75*

The headline presents the documentary as gripping and as revealing the man behind Marlon Brando’s public image. The page text is blocked, so no further praise or criticism is available.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate