Critics’ reviews

Little Shop of Horrors (1986)

8 reviews from 8 publications. Critics’ score 71: 4 positive, 4 mixed, 0 negative.

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71
Positive
4
Mixed
4
Negative
0

The reviews lean warm, and none rejects the film outright. Most critics take it as a broad, energetic, deliberately silly musical that works on its own cartoonish terms, and the praise gathers around Ellen Greene’s strange, magnetic Audrey, the witty songs, and the ever-growing plant, which one critic counts among the great screen villains. Steve Martin’s scenes are picked out as a highlight even in the cooler notices.

The reservations are about staginess. Variety finds the move from stage to screen reluctant and the result fractured, and Empire thinks the musical numbers drag in places; Pauline Kael notes some stiffness and mechanical-looking effects, and Eye for Film calls it formulaic while enjoying it anyway. The spread is wide, from mixed to enthusiastic, and it splits by date: the warmest reviews come from Slant and Collider, assessing the restored director’s cut with its darker original ending, which both admire.

Slant Magazine
10 October 2012 · ★★★★½ · Jordan Cronk
90

Cronk strongly praises the restored director’s cut as an irreverent, vivid musical with a tragic edge. He singles out the newly available apocalyptic finale and the Blu-ray’s impressive picture and sound restoration.

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The New Yorker
12 January 1987 · Pauline Kael
76*

Kael finds the film silly, energetic fun that succeeds on its own broad, cartoonish terms, despite some stiffness and mechanical-looking effects. She especially praises Ellen Greene’s strange, magnetic performance as Audrey.

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The New York Times
19 December 1986 · Janet Maslin
64*

The Times page is identified as a review of the 1986 film, but its text is inaccessible. The available page provides no basis for reporting the critic’s verdict or specific praise.

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Time Out
· SGo
64*

The page is identified as a review of the 1986 film, but the review text is unavailable. Its verdict and any specific praise or complaint cannot be established.

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Variety
31 December 1985 · Variety Staff
60*

Variety finds the adaptation fractured and funny, but somewhat reluctant in its move from stage to screen. The review praises its silly chain of events while noting that little remains of the original film beyond its setting and story outline.

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Empire
1 January 2000 · William Thomas
55*

The review finds the film amusing in places, though its stagey musical numbers sometimes drag. It singles out Steve Martin’s appearances and Ellen Greene’s performance as highlights.

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Collider
22 October 2012 · Rob Vaux
90*

Vaux gives the film and its Blu-ray presentation an enthusiastic endorsement, finding both endings successful on their own terms. He especially praises the witty, infectious songs and the way they blend comedy with social satire.

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Eye for Film
5 April 2008 · Jennie Kermode
78*

Kermode calls it a formulaic but exhilarating ride, praising the pitch-perfect performances and terrific songs. She singles out the increasingly elaborate plant as a great villain.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate