Megamind (2010)

Robinson finds the film clever and melancholic, though its story is predictable and its references may leave children behind. She praises its unexpected depth in portraying the codependent relationship between hero and villain.

Staunton says the fast-paced animation will delight children, adults and superhero fans. He praises its plentiful sight gags and sharp one-liners.

McCarthy finds Megamind lively, good-natured fun that refreshes familiar superhero ideas with nimble plotting. He especially praises the 3D, noting how naturally it is integrated into the film’s visuals.

The critic calls it a polished, very funny entertainment that is very good, though not quite great. They praise Tom McGrath’s pacing and smart gags, along with the film’s effective use of 3D.

The critic finds the film smarter, funnier, and more sympathetic than its initial spoof-like setup suggests, though its humor can be sloppy. He praises McGrath’s use of space and the chemistry between Fey and Ferrell in the memorial scene.

Scott gives the film a positive verdict, finding its superhero premise entertainingly inventive. He particularly praises its sly humor and playful treatment of familiar superhero conventions.

Toy finds Megamind fun and energetic, though it falls short of its potential. He praises the fast-moving gags and slick animation, while noting the cast and script seem held back from being funnier.

The critic finds the film playful and technically accomplished, though lacking real emotion. They single out its clever idea of Megamind becoming bored after winning as its best trick.

Sharkey finds the animated comedy amusing and often clever, though it loses focus at times. She praises its crisp, minimalist visual style and the sight gags it makes possible.

Bradshaw finds the animation entertaining, funnier and more visually exciting than a comparable film, though it falls short of the best in the genre. He praises its comic lines and inventive evil inventions, while noting that it lacks the passion and brilliance of The Incredibles or Toy Story.

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Campbell finds Megamind enjoyable but less accomplished than The Incredibles. He praises its simple villain-turned-good story while criticizing its camera movement as overwhelming.

The review gives the film a middling three-star assessment, finding its superhero conventions treated with a wink. It singles out the hyperactive animation and steady stream of genre conventions.

Chang finds the film derivative despite some clever twists, wit, and emotion. He praises its elastic take on the superhero genre’s good-versus-evil conventions, but criticizes its nonstop jokey humor and pop-culture references.

The critic finds the film charming, witty, and unusually full of spark. They single out its clever screenplay and Will Ferrell’s emotionally engaging voice performance.

Lambie finds the film a charming, witty action comedy with enough style to overcome its derivative moments. He especially praises the humour and geek references, singling out Ferrell’s restrained performance and Marlon Brando impression.

The critic finds Megamind a welcome, thoroughly entertaining addition to DreamWorks’ animated films. They praise its brisk plotting, well-observed character moments, and playful pop-culture references.

Grant finds Megamind a consistently funny, emotionally nuanced, and notably strong DreamWorks effort. He praises its character development and voice performances, especially the leads, while noting it lacks Pixar’s broad appeal.

McMahon finds Megamind entertaining and watchable, though it falls short of being truly impressive. He praises its cast and lively animation, while noting that Pixar’s storytelling makes the film feel comparatively cheap.

Jackson finds the film amusing and silly, though its predictable story keeps it from being especially funny or touching. He praises its clever jokes for adult viewers but says Pixar’s superhero animation remains unmatched.