Critics’ reviews

Mud (2013)

28 reviews from 28 publications. Critics’ score 80: 25 positive, 3 mixed, 0 negative.

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80
Positive
25
Mixed
3
Negative
0

The reviews are warm and close to unanimous, with no critic against the film. Most place it in the Mark Twain line of boys’ river adventures and find that Nichols tells a familiar story with more feeling and patience than it strictly needs. Praise clusters on Matthew McConaughey, whom several critics treat as the film’s engine, and on the young lead Tye Sheridan, whom a good number call the real standout. The Delta setting, its heat and its light, is mentioned almost everywhere.

The spread is narrow, from three stars to full marks, and the reservations are consistent. The most common complaint is the last act, which Time Out, Sight and Sound and The Wrap find overloaded with incident and more conventional than the first hour promises. A smaller dissent, from The AV Club and Collider, is that the script’s view of women is immature and the film appears to agree with it. The Independent simply finds the whole thing slight.

IndieWire
25 April 2013 · A · Erik McClanahan
95

The film shows Nichols and McConaughey at the top of their games in a deeply felt, thrilling coming-of-age story.

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Los Angeles Times
25 April 2013 · Betsy Sharkey
90*

The critic calls the film a triumph and one of the most creatively rich and emotionally rewarding of the year. She singles out Matthew McConaughey's best career performance and Jeff Nichols' authentic storytelling in the Mark Twain tradition.

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The Guardian
12 May 2013 · Peter Bradshaw
90*

The critic praises Nichols's exhilarating coming-of-age tale as a vivid southern parable evoking Mark Twain and Sam Peckinpah, with strong performances from McConaughey and the young leads amid memorable riverine imagery.

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The New York Times
25 April 2013 · Critic's Pick · A.O. Scott
90*

The review describes the film as deft and absorbing, centered on a wondrous boat-in-a-tree image that enchants the boys. It praises Matthew McConaughey's intense, funny performance as a battered Southern loner.

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Slant Magazine
23 April 2013 · ★★★½/4 · Steve Macfarlane
88

The film succeeds thanks to small details like location photography and expert cast, particularly Sheridan's winning performance, despite an overstuffed plot.

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Empire
18 February 2013 · festival review · Dan Jolin
85*

Bold, intelligent 21st-century take on Mark Twain with mythic and supernatural elements, strong McConaughey performance, and excellent young leads.

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The New Yorker
1 May 2013 · David Denby
85*

The critic hails the marvellous adventure film for its intimacy with textures and moods and Nichols' talent for continuous tension. It singles out the Twain-like understanding of boys' loyalty, adventure, and chivalry.

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Vulture
25 April 2013 · David Edelstein
85*

Nichols delivers fluid storytelling and transparent emotion, with standout performances especially from Sheridan and McConaughey making the familiar tale engrossing.

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Evening Standard
10 May 2013
80*

Eloquent coming-of-age epic mixed with rustic tall story that gives McConaughey a strong acting role amid beautiful Delta scenery and fine supporting performances.

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Film Comment
29 April 2013 · Violet Lucca
80*

Nichols avoids clichés in this coming-of-age story, instead showing the humor, frustration, and sadness of youth. The film excels in tying its mystery to the realities of growing up and in its vivid evocation of small-town Southern life.

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Financial Times
9 May 2013 · Nigel Andrews
80*

The critic calls it a lean, captivating adventure that transcends Nichols's prior work with thrills, surreal tensions and strong kid performances in a Huckleberry Finn-like tale of boys aiding a fugitive.

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Little White Lies
9 May 2013 · 4/4/4 · Adam Woodward
80

Nichols shifts toward a more sentimental and innocent tone than his previous films but the result remains affecting, with the young lead Tye Sheridan delivering the standout performance as the idealistic Ellis.

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Radio Times
★★★★ · Trevor Johnston
80

This rites-of-passage story echoes Huckleberry Finn and Stand by Me; it is in no hurry to unfold but is beautifully done, exquisitely performed, and filled with terror and wonder.

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Screen Daily
26 May 2012 · festival review
80*

Nichols tells a familiar story with elegance, wit and poignancy, eliciting fine performances especially from the young lead Tye Sheridan; the result is a confident, nuanced, richly satisfying coming-of-age story.

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The Telegraph
27 April 2013 · festival review · David Gritten
80*

The critic hails the film as a wonderful showcase for McConaughey in a coherent, place-specific story of boys aiding a fugitive, marking another strong work from Nichols and the actor's rehabilitation.

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The AV Club
25 April 2013 · B · Mike D'Angelo
77

It is a splendid showcase for McConaughey's rascally charm and offbeat details, though subplots introduce a retrograde thesis about fickle women.

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The Hollywood Reporter
26 May 2012 · festival review · Todd McCarthy
75*

The film is a well-carpentered piece marked by fine performances and resilient thematic fiber, with the boys' characters keeping it emotionally credible despite some dramatic conveniences.

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Total Film
26 April 2013 · Jane Crowther
75*

Pleasingly reminiscent of sun-dappled boys' own adventures evocative of time and place, with sticky heat and fried chicken atmosphere.

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Sight and Sound
26 May 2012 · festival review · Geoff Andrew
70*

Nichols delivers a pleasingly fresh Southern river adventure that owes a debt to Mark Twain, with deft characterisations and a sense of complexity in the boys' perspective. The final act falls into generic contrivance and cliché.

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The Independent
11 May 2013
60*

Well-acted and atmospheric Southern coming-of-age tale in the Tom Sawyer tradition, though slight overall.

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Time Out
8 May 2013 · ★★★ · Guy Lodge
60

Nichols handles the transition to a broader, starrier project with relative confidence and conjures serene widescreen imagery, but the film is disappointing in its conventionality and overlong, muddled last act.

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The Playlist
25 April 2013 · A · The Playlist Staff
95

The critic calls the film a brilliantly constructed and emotionally satisfying experience with excellent character work and direction from Nichols. McConaughey's magnetic performance is singled out as magnificent alongside the naturalistic turns from the young leads.

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Collider
19 January 2013 · B+ · Matt Goldberg
83

The film blends coming-of-age, adventure, crime-thriller and romance elements effectively with strong lead performances. It is undercut by an immature view of women that the script implicitly endorses.

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Den of Geek
22 April 2013 · ★★★★ · David Crow
80

Nichols crafts a complex coming-of-age tale with emotional depth and strong performances, especially from McConaughey. The film balances adventure with darker themes of morality and growth.

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Digital Spy
6 May 2013 · ★★★★ · Stella Papamichael
80

McConaughey delivers a textured performance as the charismatic fugitive Mud in this ode to innocence. Nichols empathizes with all characters and creates a richly layered story with a strong sense of place.

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HeyUGuys
19 January 2013 · ★★★★ · Ty Cooper
80

The review praises the strong performances from the two young leads, especially Tye Sheridan, and Matthew McConaughey's committed turn as the titular character. It highlights the film's exploration of youthful idealism versus adult realities.

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The Wrap
25 April 2013
70*

The film starts as a sweet, subtle coming-of-age story with quiet wisdom and keen observation but overloads its final act with incident and on-the-nose declarations. Nichols lovingly sketches the characters and their humid Southern world, with standout performances from the young leads and McConaughey.

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The Skinny
9 May 2013 · ★★★ · Josh Slater-Williams
60

Nichols delivers another strong film with a potent sense of place and excellent performances in this coming-of-age adventure. The story explores themes of fathers, trust, and love with dreamy atmosphere.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate