Critics’ reviews

Navalny (2022)

19 reviews from 19 publications. Critics’ score 77: 13 positive, 6 mixed, 0 negative.

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77
Positive
13
Mixed
6
Negative
0

Most critics respond warmly to Navalny, with praise clustering around its close access to its subject and the suspense of the poisoning investigation. The reviews repeatedly describe a documentary that moves like a thriller, singling out a recorded phone call as its most tense sequence. Navalny’s charisma and courage also draw praise, while several critics find the film humane as well as gripping. Even more reserved assessments acknowledge how effectively it holds attention.

The main reservation concerns how little space the film gives Navalny’s earlier life and political history. That concern appears in enthusiastic reviews too, though critics differ over how much it matters. Sight and Sound offers the sharpest dissent, challenging the buoyant framing of his political struggle as well as the missing context. The New Yorker raises a different doubt: whether the film’s revelations can reach beyond a sympathetic Western audience. The spread is broad, despite substantial agreement about the suspense.

Radio Times
★★★★★ · Caroline Frost
100

Frost presents the documentary as a fascinating portrait of a courageous, charismatic subject. She praises Navalny’s efforts to uncover the poisoning plot, while noting gaps in the account of his history.

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Empire
14 April 2022 · John Nugent
90*

Nugent calls the documentary an urgent, searing account that feels especially timely. He praises its exceptional access, particularly the sequence in which Navalny tricks a suspected poisoner into describing the operation.

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Variety
25 January 2022 · festival review · Owen Gleiberman
90*

Gleiberman calls the documentary a must-see, stirring account of Navalny’s courage and resistance to authoritarian rule. He especially praises the suspenseful investigation that leads to Navalny’s recorded phone confession from one of the poisoning plotters.

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The i Paper
12 April 2022 · Christina Newland
85*

Newland finds the documentary gripping, disturbing and humane, and calls it unmissable. She especially praises Navalny’s screen presence, which makes the film immediately compelling.

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Los Angeles Times
11 April 2022 · Justin Chang
82*

Chang finds the documentary gripping and sharply assembled, while noting its uneasy mix of timeliness and escapism. He especially praises the electrifying scene in which Navalny tricks an alleged poisoning operative into revealing incriminating details.

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The Guardian
27 January 2022 · festival review · Adrian Horton
80*

Horton finds the documentary riveting and damning, while noting it skims over thorny context about Navalny’s political history. She praises the jaw-dropping prank call that exposes details of the poisoning plot.

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Time Out
28 January 2022 · ★★★★ · Phil de Semlyen
80

The critic calls the documentary ridiculously gripping and essential. They single out its covert-investigation story, which plays like a thriller in a terrifying real world.

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IndieWire
25 January 2022 · B · David Ehrlich
77

Ehrlich finds the documentary slick and suspenseful but politically superficial. He singles out Navalny’s phone call to an alleged assassination plotter as its remarkable, thriller-like centerpiece.

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Screen Daily
29 January 2022 · festival review · Fionnuala Halligan
65*

The accessible text does not reveal the critic’s verdict. The standfirst highlights Roher following Navalny as he investigates a plot to kill him.

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The Hollywood Reporter
26 January 2022 · festival review · Daniel Fienberg
65*

Fienberg finds the documentary jaw-dropping and tense, though constrained by limited depth. He singles out Navalny’s call to suspected poisoners as a suspenseful set-piece.

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The New Yorker
24 April 2022 · Anthony Lane
65*

Lane finds the documentary gripping, darkly funny, and persuasive, while questioning whether its revelations can reach beyond a sympathetic Western audience. He praises the farcical scene in which Navalny calls a man allegedly involved in his poisoning and gets a confession.

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RogerEbert.com
64*

The page shows only a browser-check message, so the critic’s verdict cannot be determined. No praise or complaint from the review is available in the provided text.

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The New York Times
24 April 2022 · Manohla Dargis
64*

The page could not be read, so the critic’s verdict and specific praise or complaint cannot be confirmed. No review text was available beyond a message asking readers to enable JavaScript and disable ad blockers.

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Sight and Sound
11 February 2022
45*

The review finds the documentary gripping but misguided in its buoyant, triumphant framing of Navalny’s imprisonment and political struggle. It praises the tense phone-call sequence exposing the assassination plot, while faulting the film for sidelining Navalny’s broader political career.

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HeyUGuys
festival review
95*

The critic calls it an exhilarating, powerful documentary and the best documentary at Sundance 2022. They praise its unprecedented access and gripping recorded phone call, while wishing for more context about Navalny’s earlier life and politics.

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Deadline
26 January 2022 · festival review · Todd McCarthy
85*

The critic finds the documentary swift, inspiring, and propulsive, and recommends it to anyone interested in contemporary politics. He especially praises its close access to Navalny and the grippingly captured events surrounding his return to Russia.

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Eye for Film
5 February 2022 · Jeremy Mathews
80*

The critic finds the documentary engaging and often suspenseful, while noting that its scope is not a full biography. The prank call to one of the alleged poisoners stands out as a compelling, tightly tense scene.

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/Film
28 January 2022 · 8/10 · Ben Pearson
80

The review finds the documentary riveting and humanizing, while ending on a note of dread about Navalny’s imprisonment. It especially praises the investigation’s shift into spy-thriller mode and its jaw-dropping revelation.

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The Playlist
festival review
70*

The headline presents the documentary as an entertaining thriller. It singles out its thriller-like approach as the key appeal.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate