Critics’ reviews

Only You (2019)

11 reviews from 11 publications. Critics’ score 80: 10 positive, 1 mixed, 0 negative.

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80
Positive
10
Mixed
1
Negative
0

Most critics warmly receive Only You as an intimate, emotionally mature romance, with praise clustering around Laia Costa and Josh O’Connor. Their chemistry and precise handling of the relationship’s changing pressures are the clearest points of agreement across the reviews. Harry Wootliff’s direction also earns praise for its closeness to the couple, while the treatment of infertility and IVF is widely valued for showing how that experience strains a relationship without reducing either person to their suffering.

The spread is largely positive, with reservations centred on the storytelling rather than the performances. Empire finds some repetition in the middle section, while Little White Lies considers the final act too conventional. Variety likewise sees familiar storytelling, but finds that the leads’ warmth and emotional precision compensate. These are mostly qualifications within favourable assessments, rather than evidence of a substantial split over the film’s merits.

The Guardian
14 July 2019 · Mark Kermode
90*

Kermode gives the film an enthusiastic verdict, praising its clear-eyed, emotionally intimate portrayal of a relationship under strain. He particularly singles out Laia Costa and Josh O’Connor’s flawless performances and Harry Wootliff’s assured direction.

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Empire
16 February 2021 · Ian Freer
85*

Freer finds the film a passionate, nuanced and moving romance, despite some repetition in its middle section. He especially praises Laia Costa and Josh O’Connor’s magnetic performances and the intimacy of Wootliff’s filmmaking.

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Sight and Sound
15 July 2019 · Pamela Hutchinson
85*

Hutchinson finds the film a remarkably mature and exceptionally romantic story about a couple growing together through suffering. She particularly praises the authentic emotional performances and the screenplay’s nuanced portrayal of infertility’s strain on a relationship.

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Evening Standard
12 July 2019 · ★★★★ · Charlotte O'Sullivan
80

O'Sullivan praises the film as a lacerating, humorous romance that champions imperfection. She singles out the leads’ witty, charismatic performances and their convincing chemistry.

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Little White Lies
11 July 2019 · 3/4/3 · David Jenkins
80

Jenkins finds the romance sensitive and honest, though it falters in its conventional final act. He especially praises Costa and O’Connor’s relaxed, intuitive performances and Wootliff’s close observation of IVF.

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Radio Times
★★★★ · Kevin Harley
80

Harley praises the film as an intimate, impeccably performed romantic drama. He singles out Laia Costa and Josh O'Connor for playing the relationship's emotional shifts with heartbreaking precision.

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Time Out
4 July 2019 · ★★★★ · Phil de Semlyen
80

The review calls it a compassionate, complex relationship drama that delivers an emotional impact. It praises the film for bringing the experience of IVF into view.

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Variety
25 October 2018 · festival review · Guy Lodge
75*

Lodge finds the film a tender, lovable relationship drama whose familiar storytelling is elevated by its leads. He especially praises the warm, unaffected chemistry and emotionally exact performances of Laia Costa and Josh O’Connor.

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Screen Daily
19 October 2018 · festival review · Jonathan Romney
64*

The page identifies this as a review, but the paywall hides the critic’s verdict. The visible text singles out the romance’s gruelling rounds of IVF, without revealing the critic’s assessment of them.

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Eye for Film
18 July 2019 · Jane Fae
85*

Fae finds the film a mature, intelligent and emotionally compelling portrait of a relationship under strain. She praises the script, subtle camerawork and near-flawless performances from Laia Costa and Josh O’Connor.

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The Skinny
18 February 2019 · ★★★★ · Iana Murray
80

The review says the film begins like a light romantic comedy but develops into something more tender and grown-up. It singles out Wootliff’s shift toward that more mature emotional tone.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate