Open Your Eyes (1997)

Parkinson regards the film as a dazzling, delirious work that demands close attention. He praises Eduardo Noriega’s controlled performance and the film’s unsettling blend of genres and ideas about appearance and reality.

The accessible description presents the film as a dazzling thriller that toys with perception. It praises the film’s skillful, tortuous handling of those perceptions.

Parkinson regards the film as a visually and structurally audacious success, though its hurried, trite resolution disappoints. He particularly praises Amenábar’s control of its shifting perceptions and Eduardo Noriega’s performance across César’s transformations.

The critic finds the thriller ambitious and compelling, though potentially perplexing and occasionally pretentious. He singles out its strong script, fierce directorial intelligence, and striking visual design for praise.

The article text is unavailable, so the critic’s verdict and specific praise or complaint cannot be established. The page returned only an access message rather than review content.

The critic finds the existential thriller more teasing and perplexing than genuinely provocative. He praises its riveting final scene but says the events leading up to it feel hollow and preposterous.

Bradshaw finds the film workmanlike and says it never quite comes to life. He singles out its resemblance to the work of Buñuel and Georges Franju, while finding that comparison more promising than the film itself.

The critic finds the film imaginative and seductive, but ultimately too ambitious and confusing. Its energetic, stylish thriller filmmaking is singled out for praise, while its convoluted reality-bending plot leaves the audience baffled.