Most critics like it. Seven of the eight reviews are positive, and they cluster around the same two things: Jean Dujardin’s performance, with his vacant suavity and deadpan carrying much of the comedy, and the production design, which recreates the look of 1950s and 1960s spy films with care. Several critics compare the film favourably with other spoofs of the period, Austin Powers and Get Smart among them, and a few find its satire of colonial arrogance sharper than expected.
The spread is narrow, with one clear dissent. Slant Magazine finds the humour derivative and the jokes too easy, and argues the film lets its hero’s cultural condescension off lightly rather than skewering it. The AV Club, though positive, also notes the gags are modest and repetitive. Nobody disputes the craft; the disagreement is over whether the comedy under it is as pointed as it looks.
