Most critics like ParaNorman, and the praise gathers in one place: Laika’s stop-motion animation. Review after review singles out the detail of the hand-built town and the staging of the horror set pieces. Beyond the craft, the reviews warm to the macabre humour, the nods to old horror films and the portrait of a lonely boy who sees ghosts, which several take as the film’s emotional centre.
The reservations are almost all about story. The plot, built around a witch’s curse and a town overrun by zombies, is called unfocused, ambling and overcrowded, and more than one critic finds its message about fear preachy. Even admirers concede it drags in places. The spread is wide: The Playlist is close to unreserved in its enthusiasm, while The Hollywood Reporter finds it only fitfully involving and Eye for Film calls it lifeless despite its technical ambition. Empire judges it a step down from Coraline.
