Critics’ reviews

Patch Adams (1998)

8 reviews from 8 publications. Critics’ score 46: 2 positive, 2 mixed, 4 negative.

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46
Positive
2
Mixed
2
Negative
4

The consensus leans negative, and nearly every critic, admirer or not, reaches for the same word: sentimental. Most reviews agree the film is built to work on the tear ducts, and the quarrel is over whether that matters. Where praise lands, it lands on Robin Williams, whom several critics find well cast and credit with joining physical comedy to real compassion. Variety looks past him and singles out Philip Seymour Hoffman for giving depth to a thinly written part.

The spread is wide. Empire and Eye for Film find the film heartfelt despite the syrup and are moved enough to forgive it. Radio Times sits in the middle, allowing that Williams suits the role but saying the film overindulges his clowning. Total Film faults Tom Shadyac’s slack direction and sees Williams repeating earlier roles. The sharpest dissent is Philip French in The Guardian, who calls the film preachy and self-righteous and objects both to its insensitivity and to Williams’s portrait of Adams.

Empire
1 January 2000 · Darren Bignell
70*

Bignell finds the film generally positive and emotionally engaging, though overly sentimental and manipulative at times. He praises Robin Williams’s memorable performance and his ability to combine physical comedy with compassion.

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The New York Times
24 December 1998
64*

The article appears to review Patch Adams, but its verdict and specific praise or criticism cannot be determined from the accessible page. The article text was inaccessible.

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Radio Times
★★★ · Angie Errigo
60

Errigo finds Williams well cast, but says the film overindulges his clowning and relies on saccharine emotional manipulation. She praises Williams’s portrayal of Patch’s idealism and suggests viewers frustrated by impersonal medical care will enjoy his rule-breaking approach.

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Total Film
12 February 1999 · ★★ · Total Film
40

The review finds the film emotionally manipulative but ultimately bad, with Robin Williams repeating familiar territory. It criticizes Tom Shadyac’s slack direction and the story’s resemblance to Williams’s earlier roles.

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Time Out
· DA
30*

The description characterizes the film as a slushy comedy drama, suggesting a negative verdict. It singles out the film’s sentimental tone as a complaint.

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Variety
14 December 1998 · Joe Leydon
30*

Leydon finds the film shamelessly sentimental and emotionally manipulative, though he notes its potential crowd-pleasing appeal. He praises Philip Seymour Hoffman’s performance for giving depth to a thinly written character.

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The Guardian
14 March 1999 · Philip French
10*

French condemns the film as preachy, sentimental and self-righteous. He particularly objects to its insensitivity and Robin Williams’s portrait of Patch Adams.

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Eye for Film
19 January 2001 · Angus Wolfe Murray
75*

The critic finds the film sentimental and simplified but ultimately heartfelt and emotionally stirring. Robin Williams is singled out for bringing compassion and commitment to the story.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate