Critics’ reviews

People We Meet on Vacation (2026)

10 reviews from 10 publications. Critics’ score 58: 2 positive, 6 mixed, 2 negative.

Back to our review of People We Meet on Vacation

58
Positive
2
Mixed
6
Negative
2

The reviews lean mixed on People We Meet on Vacation, with most critics finding a pleasant, predictable romance carried by its leads. Praise centres on Tom Blyth and Emily Bader, whose charm and rapport give the familiar friends-to-lovers story some appeal. The glossy holiday settings also earn approval as undemanding escapism. Even the warmer notices tend to value its comforting familiarity rather than find much surprise in the storytelling.

The sharpest disagreement concerns whether the central relationship is convincing enough to overcome the clichés. Collider finds the pairing winning and the romance emotionally persuasive; The Guardian finds little chemistry, humour or reason to care. Between those poles, reservations cluster around thin characterisation, limited emotional depth and supporting players who mainly serve the leads. The spread is wide, but the consensus is more restrained: an amiable diversion for some, a forgettable exercise in the formula for others.

The Hollywood Reporter
8 January 2026 · Angie Han
65*

The critic finds the film a pleasant but not transformative romantic fantasy that works best thanks to the leads' easy chemistry, while noting its limited interest in the characters' everyday lives or the appeal of travel itself.

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Variety
8 January 2026 · Guy Lodge
65*

The critic calls the film a slight, sunny, undemanding Netflix romcom that coasts on the charms of its stars without surprises or subversions, offering comforting predictability.

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Radio Times
★★★ · Dave Golder
60

A predictable globe-trotting romcom about best friends on platonic vacations that ultimately resolves as expected. It is glossy, well-crafted and witty, with charm from the lead performances.

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The Telegraph
9 January 2026 · ★★★ · Robbie Collin
60

This is a glossy, globe-trotting will-they-won’t-they romance that is perfect for winter escapism, a winningly corny adaptation with enough spark between the leads to feel fun and engaging. It lacks the emotional candour of similar stories like One Day but delivers as a low-stress package tour of romcom highlights.

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The New York Times
8 January 2026 · Jeannette Catsoulis
55*

The critic finds the romantic comedy occasionally cute but instantly forgettable, with a predictable ending and a mountain of clichés to overcome despite appealing leads.

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The AV Club
8 January 2026 · C- · Caroline Siede
50

The critic calls the film thin and forgettable, criticizing its lack of wit, genuine chemistry, or emotional depth despite the stars' efforts and globe-trotting premise, leaving it feeling more like a generic travelogue than a real romance.

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Financial Times
9 January 2026 · 1 · Jonathan Romney
44*

The film is When Harry Met Sally without the zingers or chemistry; it abandons comedy for lachrymose philosophising and serves mainly as a vehicle for its lead with limited real chalk-and-cheese dynamic between the stars.

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The Guardian
8 January 2026
30*

The adaptation is a glossily made yet charmless attempt to resurrect the friends-to-lovers formula, with nothing to root for or care about. The script fails to justify the central relationship or deliver genuine humour or insight, disappointing given director Brett Haley's earlier work.

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Collider
8 January 2026 · 9/10 · Carly Lane
90

The critic praises the effervescent, charming adaptation with winning performances from Tom Blyth and Emily Bader as the perfect leading pair in this opposites-attract friends-to-lovers story. They single out the strong central duo and the emotional rain-soaked climax for praise, while noting underdeveloped supporting characters as a minor complaint.

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Digital Spy
9 January 2026 · Gabriella Geisinger
75*

The critic recommends the film as a comforting alternative to tearjerkers like One Day for fans of the source novel. She praises the charming leads and escapist summer vacation settings while noting the supporting cast serves mainly as foils.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate