Most critics find Pitch Perfect an enjoyable musical comedy whose cast makes the familiar underdog story worth following. Praise centres on Rebel Wilson’s comic timing and deadpan delivery, with Anna Kendrick also earning credit for an assured, appealing lead performance. The ensemble, sharp one-liners and inventive a cappella arrangements give the positive reviews plenty to recommend, even when the plotting offers few surprises.
The spread is fairly wide, with reservations ranging from a need for trimming to objections about the humour itself. Several critics find the characterisation thin or stereotypical, while others question the gross-out jokes and uneven tone. Digital Spy considers the humour lazy and the characters shallow, though it still singles out Wilson as a strength. Den of Geek takes a similarly negative view of the script’s mean-spiritedness but praises the singing. The main divide is over how much the performances compensate for the writing.
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Vulture
20 August 2018 · David Edelstein
90*
Edelstein calls the film an exhilarating pick-me-up and praises its buoyant, inventive musical comedy. He especially singles out the cast, choreography, and soundtrack for making the performances silly, emotionally pure, and joyful.
Read the full review →G
The Guardian
20 December 2012 · Henry Barnes
85*
The review calls it one of the best musical comedies in years. It praises Anna Kendrick’s assured lead and especially Rebel Wilson’s comic performance.
Read the full review →V
Variety
25 September 2012 · Justin Chang
85*
Chang calls the film a cheeky delight, while noting that its nearly two-hour runtime could use trimming. He singles out Rebel Wilson’s comic performance and the film’s saucy script and strong cast for praise.
Read the full review →I
IndieWire
27 September 2012 · B+ · Kimber Myers
83
The critic finds the comedy thoroughly enjoyable, funny, and infectious despite some weak characterization. She especially praises Rebel Wilson’s performance and the inventive, well-sung musical arrangements.
Read the full review →E
Empire
20 June 2012 · Olly Richards
80*
Richards finds the film a very funny, smartly written teen comedy, even if its musical performances are less compelling. He especially praises the ensemble cast and the sharp, well-observed characters.
Read the full review →H
The Hollywood Reporter
25 September 2012 · Todd McCarthy
78*
McCarthy finds the film an enjoyably snarky, nerdy and sexy campus musical comedy. He praises the lively cast and the consistently engaging performances, especially Anna Kendrick’s transformation from wary outsider to group leader.
Read the full review →S
Slant Magazine
25 September 2012 · ★★★/4 · Andrew Schenker
75
Schenker finds the film cliché-ridden but enlivened by its comic distance and good-natured fun. He singles out the rousing finale, where the Bellas perform a mix-tape-style number, as its most pleasurable moment.
Read the full review →The critic finds the film sweet-natured and consistently funny despite some excessive gross-out jokes. Rebel Wilson’s breakout performance is singled out for praise.
Read the full review →S
Screen Daily
25 September 2012 · Brent Simon
65*
The paywall hides the critic’s verdict and specific praise or criticism. The visible page identifies Jason Moore’s 2012 film and its runtime.
Read the full review →L
Little White Lies
20 December 2012 · 3/3/2 · David Jenkins
60
Jenkins finds the comedy slipshod and lightweight, though it has a few striking moments. He singles out Anna Kendrick’s one-take cup-percussion performance as the film’s standout.
Read the full review →R
Radio Times
★★★ · Karen Krizanovich
60
The critic calls it bigger, meaner and funnier than Glee, giving the campus comedy a positive verdict. They praise Beca’s role in helping the Barden Bellas revamp their act, while noting some stereotypical characters.
Read the full review →T
Time Out
18 December 2012 · ★★★ · Cath Clarke
60
The accessible page identifies this as a review but provides no review text, so its verdict cannot be established. The metadata mentions Rebel Wilson, but does not reveal what the critic praises or criticizes about her performance.
Read the full review →T
Total Film
17 December 2012 · ★★★ · Ken McIntyre
60
The critic finds the comedy an entertaining, satisfying tribute to misfits, despite its uneven tone and familiar TV-drama pacing. Rebel Wilson’s scene-stealing humor and Anna Kendrick’s performance are singled out for praise.
Read the full review →W
The Wrap
26 September 2012
80*
The critic finds the film a charming, buoyant comedy despite its familiar underdog story. They praise the appealing ensemble and the inventive a cappella musical selections.
Read the full review →C
Collider
10 January 2013 · Andre Dellamorte
75*
The critic finds the film formulaic but winning and enjoyable. They single out the charming ensemble, especially Rebel Wilson, as a major strength.
Read the full review →H
HeyUGuys
21 December 2012 · ★★★½ · Joe Cunningham
70
The critic finds Pitch Perfect an enjoyable comedy despite its shortcomings. Rebel Wilson’s comic timing and the film’s one-liners stand out, while weak plotting and characterization let it down.
Read the full review →P
The Playlist
27 September 2012
50*
The URL identifies this as a review of the 2012 film, but the page is blocked and its verdict cannot be verified. The review’s specific praise or criticism is unavailable.
Read the full review →D
Den of Geek
19 December 2012 · ★★ · Louisa Mellor
40
Mellor finds the comedy mean-spirited and its script lacking in heart, despite an appealing cast. She singles out the singing as the film’s success, while criticizing its reliance on stereotypes for laughs.
Read the full review →D
Digital Spy
21 December 2012 · ★★ · Emma Dibdin
40
Dibdin gives the film a strongly negative verdict, finding its humour lazy and its characters shallow. She singles out Rebel Wilson’s deadpan performance as the film’s best feature.
Read the full review →Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate