Ralph Breaks the Internet (2018)

The critic finds the sequel impressively inventive and consistently funny. The Disney princess gathering is singled out as its comic centerpiece, while the emotional beats are less effective.

Debruge calls the sequel delightful, ambitious, and satisfying, praising its balance of heartfelt friendship and irreverent humor. He singles out Vanellope’s Slaughter Race sequence and the film’s playful satire of Disney’s own brands.

Erbland finds the sequel entertaining and emotionally resonant, despite a convoluted story that takes time to get moving. She praises its imaginative depiction of the internet and its affectionate, funny take on Disney princess stories.

The critic finds this sequel seriously refreshing and an upgrade over franchise entries that tread water. They single out its fresh ideas and brilliantly executed pastiche for praise.

Stewart finds the film deeply moving when it centers on Ralph and Vanellope, despite its cynical, brand-heavy internet setting. He praises the leads’ complicated relationship and the emotional payoff of their conflict.

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The critic calls it a solid sequel but says it falls short of the original. The review singles out that failure to reach the heights of the first film as its main reservation.

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Lodge finds the sequel ingenious in concept but ultimately weakened by its branding and corporate shoutouts. He praises its barbs at abusive online comments and social-media narcissism, while criticizing how Disney promotion undercuts its message.

Strong finds the film surprisingly enjoyable, but ultimately a cynical, overlong cash-grab. She praises the emotional intelligence and easy chemistry of the leads, while criticizing the heavy product placement and studio self-promotion.

The critic finds the sequel so-so, with an engaging central duo but an internet setting and thin new characters that leave it feeling unnecessary. The Disney Princess sequence is singled out as hilarious, sharp, and irreverent.

Chang finds the sequel witty, energetic and visually inventive, but says its ambition outstrips its finesse. He praises the internet’s imaginative design while criticizing the film’s smug corporate self-promotion and cynical treatment of its audience.

Yoshida offers a mixed view, finding the sequel’s treatment of money and online life increasingly manic and unstable. She praises John C. Reilly’s deft portrayal of Ralph’s insecurity, while criticizing the film’s incessant product placement.

Pile finds the film entertaining and occasionally inspired, but ultimately too content with easy jokes to explore its themes. He singles out Vanellope’s visit to Oh My Disney as the sharpest, funniest, and most accomplished section.

Bradshaw finds the sequel tiresome, dramatically weak and overly deferential to technology and brands. He acknowledges some effective jokes, especially the princesses’ explanation of life-changing moments, but complains that the film’s internet world feels empty.

The critic calls the sequel a thoughtful, charming gem and one of the year’s best films. They particularly praise its visual detail and its sincere portrayal of friendship.

Sandwell finds the sequel hilarious, touching and pertinent, with the original’s emotional heart intact. He especially praises the playful Disney princess sequence for celebrating and gently mocking Disney’s princess culture.

Harvilla calls it a B+ kids’ movie but finds its portrayal of the internet unsettling for parents. He singles out the film’s depiction of online cruelty and addictive behavior as especially troubling.

Kaye finds the sequel entertaining, delightful, and heartwarming despite some contrived plot turns and a lengthy third act. He especially praises its imaginative depiction of the online world and its sharp humor about internet culture.

Monique finds the sequel fun and family-friendly, though less powerful than the original. She especially praises its vivid internet world and its thoughtful portrayal of Ralph and Vanellope’s changing relationship.

Spiegel finds the sequel charming and perfectly fine, but too familiar and less emotionally resonant than the studio’s best work. He praises its detailed animation and Ralph’s insecurity-driven character turn.

The critic finds the film enjoyable and often touching, despite its relentless brand promotion. The clever writing and Disney-princess sequence stand out for praise.

The critic finds the sequel scattershot and overstuffed, with its internet jokes and references often crowding out its heart. They praise the sweetness and chemistry between Ralph and Vanellope, along with a few inspired gags.

The critic finds the sequel disappointingly listless and overly familiar, despite a few entertaining moments. The princess sequence stands out as a particularly funny piece of movie meta-commentary.