Reminders of Him (2026)

Gleiberman finds the film a pleasingly restrained weeper, though it can feel languid. He praises Maika Monroe’s sympathetic performance and the unforced tenderness of the mother-daughter scenes.

Erbland calls it the best Colleen Hoover film adaptation so far, though not a complete success. She praises its quieter, genuine emotional center and the strong performances.

Siede finds the film a heartfelt, engaging throwback melodrama whose motherhood themes outshine its romance. She especially praises Maika Monroe’s portrayal and the film’s attention to the lasting effects of separating incarcerated mothers from their children.

Horton finds the romance contrived but still charming and easily consumed. He praises the leads’ tender chemistry and the film’s lush visuals, while faulting its implausible plot and stylized editing.

Scheck finds the film emotionally manipulative and overstuffed with contrivances, though its melodrama eventually proves affecting. He praises Maika Monroe’s performance and notes Lauren Graham’s particularly moving work in the final act.

The review describes the film as a largely ordinary romantic drama, though not without charm. It singles out the performances as a strength.

The critic strongly dislikes the film, calling it a grim, conservative romance with a lifeless lead performance. Tyriq Withers is singled out as a bright spot, while Maika Monroe’s performance and the film’s staging draw criticism.

Nicholson finds the film simplistic and overlong, though its early stretches and scattered scenes offer genuine appeal. She praises the sincere connection between Kenna and Amy, while faulting the drawn-out driving conversations and rushed resolution.

The critic finds the adaptation earnestly overdetermined and ultimately unilluminating. They fault its absurd coincidences and flat characterizations, especially the implausible way Kenna and Ledger meet without recognizing each other.

The review is negative, calling the adaptation predictable and shallow. The accessible text criticizes its predictability and shallow treatment, but offers no further detail.

Flint finds the romantic drama forgettable and unconvincing. She singles out Maika Monroe’s performance as an ex-con rebuilding her life for criticism.

The review finds the romance flat and the conflict forced, despite the leads’ efforts. It faults the film for shallow character writing and lingering shots that substitute for depth.

Ide finds the film dismal and predictable, though somewhat less brain-numbing than Regretting You. She criticizes its formulaic plot and lip-biting, heavy-breathing performances.

Hadadi finds the film generic, bloodless, and immediately forgettable. She particularly criticizes the leads’ lack of chemistry and the film’s failure to build meaningful conversations or dramatic tension.

The critic finds the film effective and engaging, though predictable and less than excellent. Maika Monroe and Tyriq Withers’ chemistry and performances help make its melodramatic story work.

Soares finds the film a sincere, touching romance despite weaknesses in its supporting characters and rushed conclusion. She praises Maika Monroe and Tyriq Withers for making the romance feel grounded and earned.

Wise dismisses the film as gloomy, ludicrous romantic hokum. He especially criticizes its implausible plot points and strained dialogue, while noting the cast largely maintains its dignity.