The available reviews lean towards disappointment, with praise concentrated on individual gags rather than the film as a whole. David Zucker’s physical slapstick and quick-fire approach earn some credit, while parodies of familiar film scenes provide scattered laughs. There is little agreement on a standout performance; the warmer comments tend to concern particular exchanges or set pieces. Most critics find the humour uneven, stale or juvenile, with too many weak jokes between the successful ones.
The main split is over whether those scattered laughs make the sequel entertaining. The Guardian takes the warmer view, finding unpretentious amusement despite tired material. Others range from mildly disappointed to firmly dismissive, and disagree about whether this instalment improves on its predecessor. Variety credits Zucker’s slapstick but finds the repeated child endangerment increasingly creepy. The spread runs from qualified enjoyment to reviews that find almost nothing worth recommending.
