Critics’ reviews

Sex & Drugs & Rock & Roll (2010)

12 reviews from 12 publications. Critics’ score 60: 5 positive, 3 mixed, 4 negative.

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60
Positive
5
Mixed
3
Negative
4

The reviews are divided on Sex & Drugs & Rock & Roll, but praise for Andy Serkis is consistent across favourable and hostile notices. Critics single out his recreation of Ian Dury’s voice, physical presence and charisma, with several finding humanity beneath the flamboyance. The more enthusiastic reviews also praise the musical sequences, unruly energy and humour, seeing a moving portrait that acknowledges Dury’s difficult behaviour without losing affection for him.

The disagreement centres on whether the filmmaking matches its lead performance. Some critics enjoy the energetic visual style; others find it distracting or see a conventional family melodrama beneath it. Variety objects to the fragmented script and overlong, confusing edit, while Slant Magazine finds the direction flashy and the biography clichéd. Total Film’s milder reservation is that the emphasis on Dury’s personal life leaves too little music. The spread is wide, from wholehearted enthusiasm to firm rejection.

Evening Standard
10 April 2012
90*

The critic finds the film witty, wild and surprisingly moving. Andy Serkis’s deeply human performance as Ian Dury is singled out as the film’s greatest strength.

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The Guardian
7 January 2010 · Peter Bradshaw
90*

Bradshaw finds the biopic passionate and gripping, powered by an outstanding central performance. He especially praises Serkis’s convincing recreation of Ian Dury and his eerily good vocals.

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The Hollywood Reporter
14 October 2010 · Ray Bennett
85*

The critic finds the film rowdy, ragged, and wholly entertaining, with broad appeal for punk-rock fans. Andy Serkis’s performance is singled out for capturing Ian Dury’s distinctive voice and flamboyant manner.

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Time Out
5 January 2010 · ★★★★ · Tom Huddleston
80

The review awards the film four stars, indicating a positive verdict. The available description criticizes the increasingly drab state of British music films, but the review text is unavailable to identify a specific feature it praises.

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Empire
30 December 2009 · Philip Wilding
65*

The review finds the film an occasionally dazzling but confusing portrait of Ian Dury. It singles out Andy Serkis’s remarkable performance for praise.

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Little White Lies
7 January 2010 · 3/3/3 · Matt Bochenski
60

The review finds the film entertaining but ultimately conventional, describing it as a family melodrama dressed in rock ’n’ roll. It praises Andy Serkis’s mesmerising performance and the film’s energetic visual style.

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Total Film
21 December 2009 · ★★★ · Neil Smith
60

Smith finds the biopic exuberant but says its focus on Dury’s personal life may disappoint viewers seeking more music. He particularly praises Andy Serkis’s charismatic performance, highlighting his rendition of “Spasticus Autisticus.”

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Los Angeles Times
24 June 2010 · Robert Abele
30*

Abele finds the film formulaic and oddly sentimental, despite its charismatic lead performance. He singles out Andy Serkis’s ferocious portrayal of Ian Dury as the film’s strongest element.

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Variety
8 January 2010 · Leslie Felperin
30*

Felperin finds the biopic weakened by a fragmented script and an overlong, confusing edit, despite its lively performances of Dury’s songs. She praises Andy Serkis’s convincing portrayal of Dury’s voice and physical presence, though she criticizes his mugging.

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Slant Magazine
24 April 2010 · festival review · Lauren Wissot
15*

The critic pans the film as a clichéd, hollow biopic overwhelmed by flashy direction. The standout praise is reserved for the stellar cast, especially Andy Serkis as Dury.

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Digital Spy
5 January 2010 · Mayer Nissim
85*

The critic finds the biopic energetic and deeply respectful without glossing over Ian Dury’s flaws. Andy Serkis’s vivid performance and the faultless musical sequences are especially praised.

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Eye for Film
20 March 2010 · Angus Wolfe Murray
35*

The critic finds the film uneven and its subject increasingly hard to like, despite its flashes of energy. Andy Serkis’s fierce, physically convincing performance is singled out as what lifts the film.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate