Most critics come down mildly in favour, and the praise lands in the same two places. Robert Downey Jr’s twitchy, restless Holmes is the asset nearly everyone names, with several reviews calling his double act with Jude Law the reason the film works at all. The grimy, crowded Victorian London is the other point of agreement: the production design and cinematography are admired even by those who dislike the rest, and one or two also note the score.
The reservations cluster on the balance between action and deduction. Many feel the set pieces crowd out the detective work, the mystery is thin, and the script sags or plods; Total Film finds the climax a letdown and the Los Angeles Times thinks Rachel McAdams is miscast. The spread is wide. Nearly half the reviews are mixed, and two dissent outright: The Guardian dismisses it as dull, muddled hack work, while The Hollywood Reporter calls it noisy and overstuffed.
