Critics’ reviews

Shrek 2 (2004)

11 reviews from 11 publications. Critics’ score 66: 8 positive, 2 mixed, 1 negative.

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66
Positive
8
Mixed
2
Negative
1

Most critics find Shrek 2 an entertaining, likeable sequel, with praise clustering around its comic voice performances and new characters. Antonio Banderas’s Puss in Boots is the clearest favourite, while Eddie Murphy’s Donkey and Jennifer Saunders’s Fairy Godmother also earn particular approval. The reviews welcome the cleverness and warmth, with several enjoying the Hollywood satire and pop-culture jokes, even when they find the sequel less fresh than the original.

The disagreement centres on how much those jokes deliver: some find the references lively, others overdone, and reservations include a slow start, an uneven script and softer satire. Total Film considers it a slight improvement on its predecessor, though several reviews prefer the original. The spread is broad despite the positive majority: Slant Magazine offers the sharpest dissent, arguing that the film wastes its vocal cast and relies on stereotypes rather than challenging the ideas it claims to overturn.

Radio Times
★★★★ · Alan Jones
80

The critic calls the sequel cute, clever and funny, and a welcome follow-up to the original. They single out Antonio Banderas’s voice performance as Puss-in-Boots for praise.

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Total Film
2 July 2004 · ★★★★ · Total Film
80

The review calls Shrek 2 a major triumph and a minor improvement on its predecessor. It praises Eddie Murphy’s comic performance as Donkey, while noting that the soundtrack and some movie references are weaker points.

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Los Angeles Times
18 May 2004 · Kenneth Turan
78*

Turan finds the sequel successful and ultimately charming, despite a slow start. He especially praises its cleverness, including its pop-culture references and lively new characters.

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Time Out
· GA
72*

The review is framed as offering more of the same, suggesting a qualified rather than enthusiastic verdict. Its available description singles out marital tensions after the honeymoon, but the article text is unavailable.

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Empire
1 January 2000 · Angie Errigo
70*

Errigo finds the sequel consistently funny and highly likeable, though less daring and less sharply satirical than the original. She especially praises Puss-In-Boots, whose animation, running gag, and Antonio Banderas’s voice performance make him a standout.

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The Guardian
5 November 2004 · Rob Mackie
70*

Mackie finds the film entertaining and nearly as warm and charming as Pixar’s best, despite a slight shortfall. He praises its surprises, especially the Zorro-style cat and the wicked fairy godmother.

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The New York Times
18 May 2004 · A.O. Scott
70*

Scott gives the film a positive verdict, finding its Hollywood satire amusing. He singles out its jokes aimed at the entertainment industry.

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Variety
15 May 2004 · festival review · Todd McCarthy
70*

McCarthy finds the sequel enjoyable but less fresh and less consistently funny than the original. He especially praises the vibrant visuals and Jennifer Saunders’s lively Fairy Godmother performance.

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Screen Daily
17 May 2004 · Jean Oppenheimer
64*

The page identifies this as a review of the 2004 film, but the review text is inaccessible. Its verdict and any particular praise or complaint cannot be determined from the available text.

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Slant Magazine
4 April 2004 · ★/4 · Keith Uhlich
25

The critic condemns the sequel as shallow and offensive, saying it fails to challenge the ideas it claims to reverse. He particularly faults its waste of the cast’s vocal talents and the stereotyped treatment of several characters.

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Eye for Film
11 July 2007 · Jennie Kermode
45*

Kermode finds the sequel entertaining but less satisfying than its predecessor, with an uneven script and overdone references. She especially praises Antonio Banderas’s perfectly cast, consistently watchable Puss in Boots.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate