Critics’ reviews

Step Up (2006)

8 reviews from 8 publications. Critics’ score 58: 1 positive, 6 mixed, 1 negative.

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58
Positive
1
Mixed
6
Negative
1

The reviews lean towards a mixed response: Step Up earns more praise for its dancing and appealing leads than for its story. The clearest agreement concerns the energetic dance sequences, with the combination of ballet and breakdance providing much of the pleasure. Several critics also find the central pairing engaging, praising their chemistry and enthusiasm, while Channing Tatum’s dancing receives particular approval.

Reservations centre on a familiar formula, predictable plotting and dialogue that gives the performers little help. Some find the storytelling merely routine; others object to caricature, sermonising or subplots that leave too little time for dance. The spread is fairly wide: Variety finds an engaging crowd-pleaser despite the formula, while The Guardian dismisses its appeal as limited to tween sleepovers. Between those positions, the prevailing view is of a competent diversion whose pleasures are most likely to satisfy dance fans and teenagers.

Variety
10 August 2006 · Joe Leydon
75*

Leydon finds the film crowd-pleasing and engaging despite its familiar, formulaic storyline. He praises the appealing leads and their strong dancing, as well as the energetic dance sequences.

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The New York Times
11 August 2006
64*

The page is blocked, so the critic’s verdict cannot be verified. No specific praise or complaint is available in the supplied text.

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Time Out
24 October 2006 · Anna Smith
64*

The page is identified as a film review, but the critic’s verdict is unavailable in the supplied text. The standfirst describes Tyler Gage and his sentence for damaging an arts school, without revealing a point of praise or complaint.

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Slant Magazine
9 August 2006 · ★★½/4 · Ed Gonzalez
62

Gonzalez finds the film goodhearted and visually assured, though its storytelling slips into caricature and sermonizing. He especially praises the dance sequences and the leads’ convincing chemistry.

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The AV Club
9 August 2006 · C · Scott Tobias
57

The critic finds the film’s formula breaks down when its perfunctory plot takes over. He singles out the excess of subplots for leaving too little time for the dancing.

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Empire
8 September 2006 · Anna Smith
55*

Smith finds the film predictable and hampered by weak dialogue and acting, but still an appealing guilty pleasure. She singles out the enthusiastic performances and sensational dancing, especially from lead Channing Tatum.

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The Guardian
· Peter Bradshaw
30*

Bradshaw dismisses the film as suitable only for tweenie sleepovers. He singles out its narrow appeal to that audience, with no specific praise offered.

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Eye for Film
28 October 2006 · Chris
55*

The critic finds it formulaic and forgettable, but competent and enjoyable enough for dance fans and teenagers. They single out the energetic combination of ballet and breakdance, supported by a good hip-hop soundtrack.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate