Critics’ reviews

Superman Returns (2006)

12 reviews from 12 publications. Critics’ score 66: 7 positive, 3 mixed, 2 negative.

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66
Positive
7
Mixed
3
Negative
2

Most critics come down in favour, and the praise clusters on Brandon Routh. He is credited with carrying an implausible plot through charm, with a sincere and convincing Superman, and with a resemblance to Christopher Reeve that helps the film recapture the spark of the first two. Several reviews also admire how the film looks, and the warmer ones find real heartache in its romantic conflict and a respect for the character in Bryan Singer’s direction.

The reservations gather around tone and feeling. The dissenters find it too long, too serious and increasingly mawkish, or polished but hollow, with characters too abstract to care about. The New Yorker goes furthest, calling it dull, its hero cold and its Lex Luthor uninteresting; The Guardian enjoys Kevin Spacey’s malevolence but misses any lightness or humour. The spread is wide, and the latest review, from Collider, argues the film holds up better than those first notices suggest.

Empire
10 July 2006 · Ian Nathan
90*

Nathan gives the film an enthusiastic verdict, calling it a soaring, emotionally rich addition to the Superman pantheon. He especially praises its heartache and romantic emotional conflict, while also applauding the spectacle.

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Variety
18 June 2006 · Todd McCarthy
90*

The critic gives the film an enthusiastic verdict, calling it a grand and emotionally engaging superhero saga. He singles out its visual beauty and Brandon Routh’s effortless, appealing performance.

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Radio Times
★★★★ · Stella Papamichael
80

Papamichael finds the film entertaining, with Brandon Routh carrying its implausible plot through sheer charm. She also praises its nostalgic approach to the original franchise.

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RogerEbert.com
27 June 2006 · ★★★/4 · Roger Ebert
75

Ebert gives the film a positive but not wholehearted verdict. He praises Brandon Routh’s portrayal of Superman while finding the film short of greatness.

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The Hollywood Reporter
19 June 2006 · Kirk Honeycutt
75*

Honeycutt finds the film largely successful, balancing an emotionally grounded hero with spectacular superhero action. He particularly praises Brandon Routh’s sincere, convincing performance as Superman.

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Screen Daily
19 June 2006 · Mike Goodridge
64*

The page identifies this as a review, but its verdict is unavailable in the accessible text. No specific praise or complaint can be confirmed.

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Time Out
· Ben Walters
64*

The page identifies this as a review, but the critic’s verdict is not visible. The available text offers no specific praise or complaint.

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Slant Magazine
24 June 2006 · ★★/4 · Keith Uhlich
50

The critic finds the film polished but emotionally hollow, neither thrilling nor offensive. He faults its abstract characters and themes, while singling out its visual beauty and a striking reverse-motion shot.

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The Guardian
1 December 2006 · Rob Mackie
35*

Mackie finds the film overly serious, too long, and increasingly mawkish, despite its emotional approach. He singles out Kevin Spacey’s enjoyably malevolent Lex Luthor, while lamenting the film’s lack of lightness and humour.

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The New Yorker
25 June 2006 · Anthony Lane
25*

Lane finds the film dull and constrained, ultimately arguing that its superhero leaves him cold. He singles out the shallow characterization, especially Lex Luthor, whose performance and elaborate wardrobe cannot make the character interesting.

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Eye for Film
12 July 2006 · Jennie Kermode
80*

Kermode finds the film intelligent, gripping, and highly successful overall, despite its faltering emotional resolution near the end. She especially praises Brandon Routh’s performance and the inventive action sequences’ attention to physical detail.

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Collider
8 June 2011 · Rob Vaux
72*

Vaux says Superman Returns holds up better than its critics suggest and succeeds in recapturing the spark of the first two films. He praises Brandon Routh’s resemblance to Christopher Reeve and Bryan Singer’s blend of exciting set pieces and respect for the character.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate